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Wide-legged trousers are mainstream: Should you alter yours?

Wide-legged trousers are mainstream: Should you alter yours?


Wide-legged trousers are mainstream: Should you alter yours?

Wednesday, July 15th 2026
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My old Sexton Hollywood-top trousers, which felt wide at 22cm in 2017 but are now the norm

An old school friend of mine recently told me he now only wears wide-legged trousers, moving on from the skinny ones he’s probably worn for 20 years. This, for me, means we’ve reached the top of the bell curve. 

Fashions always have early adopters and late adopters, and the media often get their predictions wrong. All it takes is for two fashion designers to put Oxford bags down the runway, and they scream that wide legs are back. 

In fact, it takes years from menswear designers pushing something to general adoption by the public. Most men don’t care, or only change when enough of their mates change. Hence why you need to get to the top of that bell-curve distribution. 

Wider legged trousers are now probably tipping into the late majority

There are plenty of other signs that the pendulum has swung. 

Suit Supply, which made its name offering skinny tailoring, introduced its first wide-leg fit, the Duca, in 2022. Uniqlo, which makes its money from offering universal basics – so sticking as close to the middle of the road as possible – introduced its first wide-leg fits in 2023. 

Good visual data comes from a magazine like L’Etiquette, which publishes a fashion shoot or two every issue. Over the almost 10 years they’ve been running, you can see from issue to issue how trousers got wider. 

This was something we discussed in particular in the cover story of the latest Permanent Style magazine. 

Shoots from L’Etiquette – the top two from issue 1, the bottom two from issue 15

So should you follow suit and switch to wider trousers? My philosophy has always been that you should follow these trends, but slowly and conservatively. 

After all, menswear trends move very slowly – perhaps a cycle of 15-20 years – and it’s foolish to pretend that styles last forever. It’s over 25 years since Hedi Slimane first made skinny suits a thing, and that’s a long time ago – the same as 1960 to 1985. 

I’ve been letting out my trousers consistently in recent years, partly because I’ve gained a little weight, but also because a fuller cut felt better. I’ve been a good couple of years behind others I know in that respect, but I think that reflects my natural conservatism (and perhaps, that of PS readers). 

Cifonelli at 19.5cm (left) and Assisi at 22cm (right)

My suit trousers historically were around 19-20cm at the cuff. Go back to my first suit from Cifonelli 13 years ago, and you can see in our breakdown that the cuff measurement was about 19.5cm. Something more English, like my Richard Anderson tuxedo, was around 21cm.

It’s weird to think that the trousers of that tux felt wide to me at the time. It’s almost like cognitive dissonance: in my head I am certain of two contradictory things, both that the trousers were wide, and that they’re narrower than what I’m wearing right now (some Whitcomb trousers measuring 22.5cm).

Today, 22 or 22.5 is usually what I have with tailored trousers – it’s what the Assisi ones above are, for example. As always happens with good brands and tailors, I’ve been influenced by some of them too, such as Assisi and Bryceland’s. (The difference between jeans styles is often around this 2cm mark – Bryceland’s 133 and 133S are 2cm different on the hem.)

Bryceland’s 133s at 21cm (left) and 133 at 24cm (right). All references are to 34-inch waist models

The nice thing about bespoke trousers is that this level of alteration is roughly the amount of inlay a tailor leaves inside them. My Whitcomb ones could be expanded by a maximum of 2.5cm in width, for example, with that amount on the back of the leg on both sides. And if any trousers are taken in, I ask for that kind of amount to be left.

Contrast this with someone more fashion-led, like Japanese designer Yasuto Kamoshita. In his interview with us, he mentioned that most of his trousers are slim – 18cm – and he now wants to let them out to 22cm. That’s a bigger swing. 

(Remember that these widths are relative to things like height, width and shoe size, rather than being absolute. So 22cm is wider proportionally on him than it is on me.)

A current favourite pair of 501s – 21.5cm but fuller in the thigh

The bigger problem with altering tailored trousers like this is that the desired rise often gets higher along with the width. There’s nothing we can do about this unfortunately – while there is usually some inlay in there, raising the front at all requires several new things, including a longer zip.

It’s also much harder on casual, ready-made trousers and jeans. Here there’s little you can do except stay as conservative as possible, and accept that a pair of jeans might last you 10-15 years rather than a lifetime. But 15 years really isn’t that bad for a pair of trousers.

(Personally I’ve always felt this is one of the biggest fallacies of bespoke – saying it lasts a lifetime, even generations. If it does, at the very least the fit won’t be the same one you obsessed over at the start. And that longevity will largely be due to the ability to have it altered.)

A pair of recent black-tie trousers from Mogg with a 23cm hem

If you’re in doubt, I’d recommend letting out a pair of your tailored trousers and seeing how they feel. Maybe something casual that could suit it, like some flowy linen ones. It might even bring a fresh sense of enjoyment to wearing them, of the type you get when you polish a pair of old shoes, for example. They get a new lease of life, and are exciting again. 

Some have predicted these trends won’t happen any more. The fragmentation of media and general atomisation of society would mean there was no dominant narrative, no society-wide trend. 

The trends certainly are less universal than in the past. But in menswear at least, they survive. Men like to wear what other men are wearing, and right now most men I see are in wide-legged trousers – internationally online, or locally in the playground. The Dads wear elasticated trousers from Gramicci or Service Works; the teenagers wear 90s Levi’s or Carhartt. 

Dior 2009, 2023 and this year

And as if a final sign were needed, some designers have already started rebelling against the mainstream, including Dior, Prada and Thom Browne, who both showed skinny trousers this year. But don’t worry, it’ll take another 10 years at least before that comes anywhere near us. Plenty of time to let those flannels out.

What do you see where you live, and have you altered your trousers in the past few years? Let us know below – everyone loves it when we share. 

Here are some other examples of wide-legged models from brands we cover:

Rubato’s new Lot 2 jeans have a 23cm hem; Lot 1 were 21.6cm
The Mogador model from Casatlantic I reviewed five years ago had a 23cm hem, whereas the El Jadida is 21.5cm
Buck Mason Full Saddle trousers from Buck Mason now count as a really wide trouser for me – 25cm hem. I like the style but wouldn’t wear them with tailoring
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BlackRock, JPMorgan and Coinbase Among 50+ Firms Joining UK Tokenization Taskforce

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BlackRock, JPMorgan and Coinbase Among 50+ Firms Joining UK Tokenization Taskforce


The tokenization race in the UK is entering the implementation phase, as Wholesale Digital Markets Champion Chris Woolard released the first report to the Chancellor, revealing that more than 50 organizations, including BlackRock, JPMorgan, and Coinbase, have joined the Taskforce. The report calls for a 12-month roadmap to develop tokenized capital markets infrastructure, with repo, fixed income, and digital gilts identified as priority use cases.

UK ramps up tokenization push

This week, London continues to push a topic that has been widely discussed but rarely implemented: tokenization for wholesale financial markets. The first report of the Wholesale Digital Markets Champion, conducted by Christopher Woolard CBE and submitted to the Chancellor, aims to build a “tokenized wholesale financial markets system” for the UK over the next 12 months, with priority use cases starting with repo, fixed income, and collateral. The report also notes that this sector already processes over £4 trillion in securities on average each day, demonstrating the scale of the infrastructure that the UK seeks to further digitize.

The essence of this plan is to transform tokenization from a technological concept into an actionable market roadmap. If executed on time, the UK will seek to maintain its central role in the next generation of financial infrastructure, rather than letting standards, systems, and liquidity migrate to other hubs.

Industry heavyweights join the Taskforce

The participation list shows that the UK’s tokenization plan is backed by more than 50 firms and a broader network of members, observers, and market infrastructure providers. Notable names include BlackRock, JPMorgan, Coinbase, DTCC, Euroclear UK & International, LSEG, and LCH.

List of 50+ Taskforce members

List of 50+ Taskforce members. Source Wholesale Digital Markets Champion First Report

The report also mentions that Woolard held over 70 meetings with firms, roundtables with standard-setting bodies, and two full-Taskforce meetings. This figure indicates that the report was built on a deep consultation process rather than being just a conceptual proposal.

The economic case is still only forecast-led

The report cites estimates from Barclays and PwC indicating that tokenization could contribute up to £33 billion to the UK’s annual economic output and £14 billion to annual tax revenue by 2035. The report also states that tokenized real-world assets could reach $88 trillion by the same period, up from just 0.01% of investable assets in 2025, which equated to approximately $30 billion globally, after this market grew by 300% in 2025.

These numbers show that the UK is betting on a market with immense upside, but it currently remains within forecasted scenarios. Therefore, the most notable part right now is not the figures that have already been realized, but London’s attempt to capture an early position in a game that is still taking shape.

Repo and digital gilts are the first tests

Repo is the use case that the report considers most critical to proving tokenization can scale, as it is a foundational part of secondary markets and collateral mobility. The Taskforce has been tasked with delivering and validating an end-to-end repo use case, utilizing Digital Gilt Instrument Pilot (DIGIT) or privately issued assets depending on conditions. The report also calls on the Bank of England to prepare to accept DIGIT as collateral within the Sterling Monetary Framework and to consider more broadly how tokenized collateral can be used in the market and at CCPs.

Alongside this is the DIGIT. The report requests the pilot issuance no later than Q1 2027, while paving the way for further issuances in the medium term. If successfully implemented, the UK could become the first G7 country to tokenize sovereign debt. Additionally, Global Balance Transaction Ledger (GBTD) is seen as the foundation to enable different bank tokenized deposits to interoperate, adding another infrastructure layer for programmable commercial bank money.

The roadmap now moves to execution

The report shifts the focus from concept to implementation by dividing the next 12 months into Action Groups covering 9 areas, coordinated by an Orchestrator Group led by the Digital Markets Champion. This group will focus on the end-to-end repo use case, while the appointment of the Action Groups is expected to be finalized by September.

The policy message is clear: for tokenized markets to scale, the UK needs interoperability, legal certainty, and a clearer regulatory coordination framework between HM Treasury, the Bank of England, the FCA, and the private sector. The report warns that without a national roadmap, standards and infrastructure may develop in offshore markets instead of London. Conversely, if executed on time, the UK can leverage its existing strengths in fixed income, FX, equities, derivatives, settlement, custody, and post-trade infrastructure to transition tokenization from pilots into actual infrastructure.



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Circle Banned Tether-Backed Fund Over Manipulation Concerns, Filings Reveal

Circle Banned Tether-Backed Fund Over Manipulation Concerns, Filings Reveal


Circle banned Heka Funds from its platform due to suspected market manipulation in favor of Tether, with concerns over large-volume redemptions and concealed investments.

Arbitrator Robert Dondero upheld Circle’s decision, citing Heka’s bad faith in concealing Tether’s $800 million stake, but stopped short of finding market manipulation.

The dispute highlights the intense rivalry between Circle and Tether, with control over redemption flows and peg stability at the center of their stablecoin businesses.

Circle banned a Tether-backed investment fund from its platform in late 2023 over concerns that the fund was trading to benefit its biggest rival, according to arbitration documents made public in a Boston federal court on Tuesday.

The Ban and the Arbitration

According to the Financial Times report, Heka Funds, a Malta-based crypto investment vehicle managed by London’s Abraxas Capital Management, was suspended by Circle after the USDC issuer came to suspect the fund was manipulating the market in Tether’s favor.

The fund took Circle to arbitration in 2024, claiming the ban had cost it $49 million in lost profit. The arbitrator, retired judge Robert Dondero, sided with Circle, dismissed the claim, and awarded the company roughly $166,000 in attorneys’ fees and expert costs.

Arbitration proceedings are private, but Circle pushed for the documents to be filed publicly as part of a motion in Boston federal court to confirm the decision. The result is a rare public window into the rivalry between the two largest issuers in a stablecoin market now worth more than $310 billion.

What Sparked Circle’s Suspicion

The dispute traces back to the March 2023 collapse of Silicon Valley Bank, which held a portion of the cash reserve backing USDC. As the bank faltered, USDC briefly slipped below its $1 peg.

Heka, like other arbitrage funds, began buying USDC below $1 and redeeming it with Circle for cash—a process that ordinarily helps a stablecoin recover its peg during stress. Circle grew concerned, according to the filing, when it noticed Heka was redeeming in far larger volumes than other market participants.

The company came to believe Heka was funneling the proceeds back to Tether, helping its rival grow at Circle’s expense, and that the fund kept redeeming even after other traders saw no remaining profit in doing so.

The $800 Million Stake Circle Didn’t Know About

The relationship deteriorated into what the documents describe as “hostilities” when Circle learned that Tether had backed Heka with an $800 million investment — roughly 75% of the fund’s total assets — made through a linked fund. Tether had also waived the fees it charged the fund for minting new tokens.

According to the arbitrator, Heka concealed Tether’s involvement and knew that disclosing it would trigger, in the filing’s words, “bells and whistles of concern” from Circle. Soon after learning of the stake, Circle placed restrictions on Heka’s account and, following threats of legal action from the fund, suspended it in December 2023.

What the Arbitrator Actually Found

The precise findings matter. Dondero wrote that Circle “became appropriately concerned that Heka arbitrage was structured and possibly encouraged by Tether so that US dollars could be moved to Tether from Circle in exchange for USDC.”

That language stops short of a finding that Heka manipulated the market. The arbitrator upheld Circle’s decision to ban the fund and concluded that Heka had acted in bad faith — specifically in concealing Tether’s backing — rather than issuing a ruling that manipulation had occurred. The distinction is central to how the dispute has been characterized by both sides.

Heka’s Denial and Counter-Claim

Heka rejects the manipulation framing outright. A spokesperson for the fund said it “never engaged in market manipulation and has never been the subject of any regulatory investigation or proceeding involving market manipulation or similar misconduct.”

The fund also turned the dispute back on Circle. It said Circle’s effort to publish the confidential arbitration material was “a transparent attempt to distract others from the real issue: its refusal to honor its promise to redeem USDC for cash.”

Why the Redemption Charge Lands

Heka’s counter-allegation is not an isolated grievance. Days earlier, TCT reported that Circle faced a criminal complaint from US law enforcement accusing it of refusing to return frozen USDC to scam victims, with critics noting the company continues to earn yield on the reserves backing tokens it declines to redeem or reissue.

That two separate parties — a litigating arbitrage fund and law enforcement — have raised concerns about Circle’s redemption conduct within the same week sharpens what would otherwise be a one-sided narrative. Circle has consistently positioned itself as the compliance-first, rule-of-law stablecoin issuer, a posture that its handling of redemptions is now testing on more than one front.

A New Front in the Stablecoin War

The filings land at a competitive moment for Circle. The company is defending USDC’s roughly 24% market share against Tether’s dominant USDT and, more recently, against Open USD, a bank- and payments-backed rival whose June launch knocked Circle’s stock sharply lower.

The Heka case exposes how far the rivalry between the two incumbents extends beneath the surface. Stablecoin issuers have become major buyers of assets such as US Treasuries, and control over redemption flows and peg stability sits at the center of their business. What the Boston filings show is that the competition for that control now runs through private trading accounts and, increasingly, the courts.

Also Read: Wall Street Cuts Circle (CRCL) to $50: The Open USD Stablecoin Threat


Disclaimer: The information researched and reported by The Crypto Times is for informational purposes only and is not a substitute for professional financial advice. Investing in crypto assets involves significant risk due to market volatility. Always Do Your Own Research (DYOR) and consult with a qualified Financial Advisor before making any investment decisions.




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David Prowse Net Worth | MarkMeets Media

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    David Prowse Net Worth | MarkMeets Media


    Exploring Darth Vader Actor David Prowse’s Net Worth

    When discussing the illustrious figures in the entertainment industry, David Prowse stands out not only for his memorable performances but also for the remarkable life he led. With a David Prowse net worth estimated at around $3 million at the time of his passing, his legacy continues to resonate with fans and newcomers alike. Known primarily for his iconic portrayal of Darth Vader in the beloved “Star Wars” original trilogy, the actor’s journey transcends the silver screen, encompassing his achievements as a weightlifter, fitness advocate, and public figure.

    This article will delve into Prowse’s life, from his early years to his flourishing career in film and television, providing insights into his net worth and the factors that contributed to it. Let’s take a closer look at the man behind the mask and the impactful legacy he left in the worlds of sport and cinema.

    Early Life and Education

    A Promising Start

    David Prowse was born on July 1, 1935, in the vibrant city of Bristol, England, to his parents Gladys and Charles. Growing up, Prowse was an active child, and his early education took place at Bristol Grammar School. During his formative years, his athletic prowess began to shine, leading him to pursue weightlifting— a decision that would shape his future.

    Weightlifting Career: A Foundation of Strength

    Triumphs and Achievements

    In 1962, Prowse etched his name in the sports world by winning the British heavyweight weightlifting championship. This achievement set him apart as a distinguished figure in the weightlifting community. His participation as an English representative in the weightlifting event at the British Empire and Commonwealth Games in Perth, Australia, marked a significant moment in his athletic career.

    During his peak as a weightlifter, Prowse boasted an impressive weight of approximately 282 pounds and had the ability to deadlift around 784 pounds. Such strength and discipline earned him respect not just as an athlete but also as a trainer and mentor to aspiring athletes, including stars like Christopher Reeve, who played Superman, and Cary Elwes from “The Princess Bride.” Prowse’s training methods and regimen further established his influence on fitness, significantly contributing to his David Prowse net worth.

    Transitioning to Entertainment: Film and Television

    Breakthrough Roles

    In 1968, Prowse took his first bold step into the world of acting with a credited role in the Eurospy thriller “Hammerhead.” His performances continued to gain recognition as he landed a guest spot on the popular ITV series “The Saint.” In 1970, he portrayed Frankenstein’s monster in “The Horror of Frankenstein,” forever linking his name to this iconic character. Yet it was in 1977 that Prowse became a household name.

    Iconic Role as Darth Vader

    David Prowse’s portrayal of Darth Vader in George Lucas’s magnum opus “Star Wars” transformed the trajectory of his career. While he physically embodied the imposing figure of the Sith Lord, the character’s voice was masterfully lent by James Earl Jones. This dynamic collaboration laid the foundation for one of cinema’s most enduring characters.

    Prowse reprised his role in subsequent sequels, “The Empire Strikes Back” (1980) and “Return of the Jedi” (1983), albeit feeling sidelined when stuntman Bob Anderson took over during iconic lightsaber battles. Despite these frustrations, Prowse became an inseparable part of the “Star Wars” legacy, enriching his David Prowse net worth and solidifying his place in film history.

    Here’s a comprehensive list of films and television appearances featuring David Prowse, as well as other notable contributions throughout his career:

    Filmography

    Films

    Hammerhead (1968) – Prowse’s first credited acting role, a Eurospy thriller.
    Casino Royale (1967) – Appeared as Frankenstein’s monster in a parody role (uncredited).
    The Horror of Frankenstein (1970) – Prowse played the iconic role of Frankenstein’s monster.
    Carry On Henry (1971) – A comedic role in the Carry On film series.
    Up the Chastity Belt (1971) – Featured in this comedy film.
    A Clockwork Orange (1971) – Played the role of a jail inmate in Stanley Kubrick’s dystopian film.
    Vampire Circus (1972) – Had a smaller role in this horror film.
    Black Snake (1973) – Appeared in this Russ Meyer film.
    White Cargo (1973) – Prowse had a role in this film directed by Ray Selfe.
    Frankenstein and the Monster from Hell (1974) – Portrayed Frankenstein’s monster for the third time.
    Callan (1974) – Appeared in this British thriller film.
    Space: 1999 (1976) – Featured in an episode of this science-fiction television series.
    Star Wars (1977) – Iconically portrayed Darth Vader, embodying the character physically.
    Jabberwocky (1977) – Had a supporting role in this Terry Gilliam film.
    The People That Time Forgot (1977) – Participated in this adventure/fantasy film.
    Star Wars: Episode V – The Empire Strikes Back (1980) – Reprised his role as Darth Vader.
    Star Wars: Episode VI – Return of the Jedi (1983) – Again portrayed Darth Vader.
    The Time Machine (2002) – Had a minor role in this film adaptation.
    Saving Star Wars (2004) – Appeared in this independent film about the “Star Wars” franchise.
    The Kindness of Strangers (2010) – Featured in this independent film.

    Television

    The Saint (1968) – Appeared in an episode of this popular series.
    The Tomorrow People (1973) – Had a role in this children’s science-fiction series.
    Doctor Who (1972) – Featured in the serial “The Curse of Fenric” (as a version of the creature).
    The Muppet Show (1980) – Made a guest appearance.
    Space: 1999 (1977) – Played a role in an episode titled “The Full Circle.”
    The Superstars (1978) – Competed in this sports-related special.
    Blue Peter (1978) – Featured on this long-running children’s television show, promoting health and fitness.
    Star Wars: The Clone Wars (2008) – Provided a voice in this animated series.
    Elstree 1976 (2015) – A documentary featuring interviews with various individuals related to “Star Wars.”
    I Am Your Father (2015) – A documentary about the legacy of Darth Vader and his portrayal by David Prowse.

    Advertising and Public Safety Campaigns

    Green Cross Code (1975-1990) – Known for his role as the Green Cross Man, promoting road safety through various public service campaigns in the UK.

    Notable Books

    Fitness is Fun (1979) – A guide focused on health and fitness for the general public.
    Straight From the Force’s Mouth (2011) – A memoir providing insights into his experiences as Darth Vader and in the film industry.

    Community Engagements

    David Prowse was also a regular attendee and guest at various “Star Wars” and science fiction conventions, where he engaged with fans, shared stories about his experiences, and promoted health and fitness initiatives.

    This extensive list encapsulates the breadth of David Prowse’s career, showcasing his versatility as an actor, his influence in health and fitness, as well as his symbolic representation in the iconic “Star Wars” franchise.

    Additional Screen Appearances

    In addition to his celebrated role in “Star Wars,” Prowse’s extensive filmography includes several noteworthy appearances. These include roles in comedies like “Up the Chastity Belt” and “Carry On Henry,” as well as the dystopian classic “A Clockwork Orange.” He also contributed to the British road safety initiative through his portrayal of the Green Cross Man from 1975 until 1990, using his fame to promote public safety while further enhancing his influence in Britain.

    Author and Advocate: Expanding Influence

    Literature Contributions

    Beyond acting, Prowse authored two significant books, beginning with “Fitness is Fun” in 1979, which captivated readers by offering insights into health and fitness. His later work, “Straight From the Force’s Mouth,” released in 2011, provided fans a glimpse into his experiences as Darth Vader, enriching his connection to the franchise even further. These publications not only expanded his fan base but also contributed positively to his David Prowse net worth.

    The Business of Fitness

    Following his acting career, Prowse transitioned into the fitness industry, working as a consultant for high-end retail outlets, including Harrods. He also opened numerous gyms in London, becoming a respected figure in the fitness community. This shift into business allowed him to leverage his fame as a celebrity to promote health and expand his financial portfolio.

    The Financial Aspect: David Prowse’s Net Worth

    Insights Into Earnings

    A critical piece of the puzzle regarding David Prowse net worth comes from his role as Darth Vader. While salaries for prominent actors may be more transparent, Prowse’s remuneration for his performances remains less documented. James Earl Jones earned $7,000 for his voice work in the first “Star Wars” film, while Prowse was reportedly offered points on “Return of the Jedi.” Unfortunately, due to “Hollywood accounting,” he is rumored to have earned little to nothing from those points, despite the film’s monumental success.

    Prowse’s earnings from his extensive career, coupled with his ventures in business and publishing, contributed to his overall net worth. Despite the perception that his career peaked with “Star Wars,” the actor’s ventures in various fields sustained him financially throughout his life.

    Challenges and Personal Life

    Health Issues

    In 2009, David Prowse faced a significant health challenge when he disclosed his battle with prostate cancer. After undergoing radiation therapy, he was reported to be in remission. Unfortunately, in 2014, Prowse began to show signs of dementia, impacting his ability to continue public engagements and appearances. Due to his declining health, he withdrew from public life in late 2017.

    Family Life

    David devoted much of his personal time to his family, including his wife, Norma Scammell, whom he married in 1963. Together, they raised three children, building a legacy that transcended Prowse’s career in entertainment. His family remained a crucial part of his life until his passing, emphasizing his values of love and support amid celebrity challenges.

    Legacy of David Prowse

    Passing and Aftermath

    David Prowse passed away on November 28, 2020, at the age of 85 in London. His death marked the end of an era for many “Star Wars” fans who cherished his contributions to the franchise. The legacy left behind by David Prowse serves as a reminder that the cast behind the characters we admire often extend beyond their on-screen performances.

    His embodiment of Darth Vader not only entertained millions but also inspired countless fans to engage with the broader narrative of “Star Wars.” The relationship between his physical portrayal and the voice of James Earl Jones serves as a testimony to collaborative storytelling in cinema, highlighting the diverse talents that breathe life into iconic characters.

    Final Thoughts: Reflecting on David Prowse’s Net Worth

    David Prowse’s journey from the weightlifting platforms of England to the grand stages of Hollywood tells a story marked by hard work, resilience, and undeniable talent. With a David Prowse net worth of approximately $3 million at the time of his passing, the financial aspect of his life reflects both his success as an actor and the savvy investments made throughout his diverse career.

    His legacy lives on through his impactful roles, writing contributions, and dedication to promoting healthy living. For fans of “Star Wars,” Prowse will forever be remembered as the man behind the mask of Darth Vader, a character that continues to resonate across generations. As we remember him, we celebrate not just his contributions to film but his lasting impact on the world of fitness, literature, and public service.

    David Prowse’s life and legacy are truly a noteworthy chapter in entertainment history, illustrating how one individual can impact various facets of society and inspire many to follow their dreams. His net worth may be quantifiable, but the influence he wielded stretches far beyond monetary figures, leaving an indelible mark on fans and aspiring actors alike.

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    Hyperliquid OI Reaches 2026 High of $11B as RWA Markets Grow

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    Hyperliquid OI Reaches 2026 High of B as RWA Markets Grow


    On July 13, Hyperliquid recorded a rare double milestone: total Open Interest (OI) on the platform climbed to $11 billion, its highest level of 2026, while the open interest for real-world assets (RWA) touched $3.6 billion, a new peak on the platform. This development indicates that on-chain capital is not only heating up but is also beginning to expand from crypto into tokenized real-world assets.

    RWA Open Interest Breaks Out

    The most notable point in this announcement lies within the RWA segment. Hyperliquid stated that the open interest for this asset class has reached $3.6 billion, the highest ever recorded on the platform. For a market that was previously discussed primarily as a narrative, this figure shows that RWAs have progressed far beyond a mere “story.” It has become a product class where traders are actively taking positions, tracking volatility, and pricing risk.

    According to RWA.xyz, as of March 31, 2026, the distributed asset value of the RWA market reached $26.71 billion, the represented asset value reached $345.07 billion, the total number of holders exceeded 698,200, and the total stablecoin value hovered around $299.30 billion. While this is not data exclusive to Hyperliquid, it shows that the on-chain asset class has grown large enough to generate continuous trading demand, particularly in derivative products.

    Why the $11B Print Matters

    Thus, the $11 billion mark is not just a pretty number on a dashboard. It demonstrates that Hyperliquid is maintaining its role as a major trading venue within the on-chain derivatives ecosystem, right as demand for tokenized assets is beginning to establish deeper liquidity. As capital seeks out platforms offering fast execution, 24/7 trading, and sufficient liquidity, venues like Hyperliquid will hold a distinct advantage. In derivatives markets, open interest typically reflects trader participation and their level of confidence in the next trend.

    Hyperliquid’s Open Interest

    Hyperliquid’s Open Interest. Source: DefiLlama

    Conversely, high open interest is not solely a positive signal. It also implies higher leverage, a greater potential for liquidations, and volatility amplitudes that could be amplified when the market reverses. If the increase in RWA OI is merely a short-term reaction to a hot narrative, this figure could decline just as rapidly as it rose. However, if the $3.6 billion level is sustained and expanded, Hyperliquid will have clearer proof that tokenized exposure is gradually becoming a product class that can be genuinely traded, hedged, and priced.

    What Traders Should Watch

    In the short term, the market will focus on three key milestones: whether total OI can hold above $11 billion following this announcement, whether RWA OI continues to chart new peaks or merely spikes due to a few large contracts, and whether the contribution of each asset group remains distributed. If the majority of the OI still stems from a few isolated markets, the sustainability of the trend will be lower compared to a more broad-based expansion.

    Another aspect to monitor closely is the correlation between OI and actual liquidity. If open interest rises without a corresponding increase in volume, depth, and trader participation, the market could be more vulnerable during corrections. Conversely, if OI increases alongside volume and liquidity, it would signal that Hyperliquid is not just benefiting from a short-term wave of euphoria but is instead cultivating a more sustainable layer of trading demand. For RWAs, this is even more critical, as this asset class can only sustain its appeal if traders can actively enter and exit positions.

    The Bigger Picture

    While the $11 billion figure does not tell the full story of Hyperliquid, it shows that the platform continues to attract liquidity precisely where the market’s current focus lies: larger on-chain trading, a broader range of asset classes, and deeper levels of participation.

    Most importantly, RWAs are demonstrating real liquidity, rather than just being a market narrative. With an open interest of $3.6 billion, this asset class has begun to take the shape of a genuine market, making it a signal worth watching in the coming sessions. Compared to many other derivative platforms, Hyperliquid is emerging as a clear destination for on-chain capital, especially as open interest continues to expand and RWAs begin to play an actual role in trading liquidity.





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    The Uncanny Reality of 1X’s Neo: A Robot Hand That Feels Human | Metaverse Planet

    The Uncanny Reality of 1X’s Neo: A Robot Hand That Feels Human | Metaverse Planet


    I was staring at the sleek, dark background of my WordPress editor earlier today, outlining some thoughts on Web3 infrastructure, when a notification about 1X Technologies popped up. They just unveiled the newly designed hands for their domestic humanoid robot, Neo, and honestly? The footage is equal parts fascinating and slightly unnerving.

    We have spent years watching clunky metal pincers struggle to pick up blocks. But what the Norwegian-US robotics company 1X just showed off is on an entirely different level. They have essentially engineered a robotic appendage that not only mimics the human hand but, in some specific ways, actually surpasses it.

    Here is a deep dive into why Neo’s new hands are a massive leap forward for domestic robotics, and why I think this changes the timeline for having a robot in our living rooms.

    Power Meets Unprecedented Precision

    When we think of industrial robots, we think of raw power. When we think of human hands, we think of delicate precision. 1X managed to merge both into a single unit. The new hands are designed with an actuator structure that directly mirrors how tendons work in a human arm.

    Here is what makes this hardware so incredibly impressive:

    25 Degrees of Freedom (DoF): To put this in perspective, a natural human hand has 27 DoF. Neo is almost perfectly matching our natural range of motion.Beyond Human Flexibility: The robotic fingers can actually stretch and bend backward in directions that would easily break our bones, giving it an unnaturally wide range of motion.Heavy Lifting & Gentle Touches: I was amazed to see that this hand has the brute strength to lift a 9-kilogram (20 lbs) kettlebell, yet the fine motor skills to pluck a grape from its stem or screw in a lightbulb without shattering it.IP68 Water Resistance: Yes, the robot can literally wash its own hands under the sink.

    The Secret Sauce: “Force Transparency”

    For me, the real breakthrough isn’t just the physical movement; it is the feeling. Traditional robot hands use high gear ratios, meaning the motor pushes hard, but it doesn’t “feel” the resistance pushing back.

    Neo’s engineers fixed this by using low gear ratios (between 5:1 and 15:1). This creates a mechanism called force transparency. Every joint acts as both a motor and a sensor.

    High-Resolution Tactile Sensors: Located at the fingertips, these sensors measure pressure, exact contact points, and even lateral forces (slippage).Instant Reflexes: If Neo is holding a glass of water and it starts to slip, the hand instantly senses the shift and adjusts its grip to catch it—exactly like a human reflex.

    Built to Last

    I know what you are thinking: How long until this complex piece of machinery breaks down?

    1X clearly anticipated this skepticism. They ran these hands through millions of grueling test cycles. The wrist joints alone were subjected to over 2 million cycles under heavy load and passed with flying colors. It is built for the daily grind of household chores.

    A Baymax for Your Living Room?

    Unlike the rigid, militaristic designs we see from companies like Boston Dynamics, 1X is taking a distinctly friendlier approach. Neo features a soft, fabric-like exterior. The company actually cited Baymax from Disney’s Big Hero 6 as a core design inspiration.

    However, Neo isn’t fully autonomous just yet. Right now, it features an “Expert Mode,” which allows remote human operators to seamlessly take control of the robot if it gets confused. 1X assures us this only happens upon the user’s request, with sensitive data blurred out to protect privacy.

    The most exciting part? The hardware is already far ahead of the current AI software. As 1X rolls out Over-The-Air (OTA) updates, Neo is just going to keep getting smarter and more capable without needing physical upgrades.

    Currently, Neo is available for limited pre-order. You can buy it outright for $20,000 or opt for a $500 monthly subscription.

    I look at this technology and realize that the sci-fi future we have been writing about is actually going into production this year. But it makes me wonder about our readiness for it. If you had the budget, would you trust a $20,000, remotely-operable humanoid to fold your laundry and handle your glassware, or is the technology still a bit too uncanny for your home? Let’s discuss in the comments!

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    SBI Group, DigiFT, and Startale Group Advance Tokenized Capital Markets with JPYSC-Powered Settlement and Onchain Dividend Distribution | Web3Wire

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    SBI Group, DigiFT, and Startale Group Advance Tokenized Capital Markets with JPYSC-Powered Settlement and Onchain Dividend Distribution | Web3Wire


    The proof of concept demonstrates end-to-end JPYSC-powered settlement and automated onchain dividend distribution for tokenised securities in a testnet environment, illustrating the potential of programmable capital markets. For these technical demonstrations, the parties used a dedicated testnet token created solely for technical verification. This testnet token is separate from and not the regulated JPYSC issued in Japan. The PoC was designed to validate workflows and infrastructure intended for future integration with JPYSC.

    SBI Group, DigiFT, and Startale Group today announced the first proof-of-concept (PoC) initiatives demonstrating how JPYSC, Japan’s first trust-based Japanese yen stablecoin, can power the full lifecycle of tokenized securities. Conducted in an Ethereum testnet environment, the joint PoC showcase:

    Instant settlement of tokenized Japanese equity fund subscriptions using JPYSCAutomated, onchain distribution of fund-level income in JPYSC 

    Bringing Capital Markets Fully Onchain

    While tokenized securities have gained significant momentum globally, cash settlement and dividend payments remain largely dependent on traditional financial infrastructure. Together, these PoCs demonstrate how regulated stablecoins and tokenized real-world assets (RWAs) can modernize securities issuance, settlement, and income distribution while preserving compliance and investor protections.  

    The joint initiative demonstrates how JPYSC can serve as the settlement layer for tokenized investment products, enabling near-instant finality, programmable cash flows, and continuous onchain operations. As part of this broader collaboration, SBI Group and DigiFT are working toward tokenizing the SBI Japan High Dividend Equity Fund, one of Japan’s leading public equity funds exceeding ¥200 billion in assets under management, thereby creating new regulated onchain access to Japanese equities for global institutional investors.

    These PoC initiatives are structure-agnostic demonstrations of JPYSC’s settlement and distribution capabilities. 

    The JPYSC settlement and dividend PoC announced today establishes key building blocks required to support the fund’s full onchain lifecycle. The dividend distribution PoC is a separate, structure-agnostic demonstration of JPYSC’s capabilities for tokenized products that make distributions, and does not apply to the fund referenced above. With SBI Asset Management Co., Ltd. (“SBI AM”) as the investment manager of the underlying fund strategy, DigiFT as the regulated tokenization platform, and Startale Group providing blockchain infrastructure and JPYSC expertise, the parties will conduct the following proof-of-concept initiatives:

    JPYSC-Powered Instant Settlement for Tokenized Securities

    The first proof of concept demonstrates how the intended JPYSC settlement model can enable near-instant settlement for tokenized Japanese equity fund subscriptions. By replacing traditional multi-day settlement processes with onchain settlement, the PoC showcases the potential to reduce settlement risk, improve capital efficiency, enable 24/7 transactions, and support programmable payment flows for digital capital markets.

    Automated Onchain Dividend Distribution

    The second proof of concept demonstrates how the testnet tokens representing the intended functionality of JPYSC can fully digitize dividend distribution for tokenized investment products that make distributions to holders. Once a distribution amount and holder registry are finalized, the PoC demonstrates how dividends can be calculated and distributed directly to eligible token holders via smart contracts. In a production implementation, investors could immediately hold, reinvest, transfer, or convert their JPYSC, enabling a faster, more transparent, and programmable dividend lifecycle.

    Building the Next Generation of Capital Markets

    The collaboration is among the first demonstrations in Asia using a testnet token representing the intended functionality of a Japanese yen stablecoin regulated in Japan, being integrated across both primary settlement and post-trade income distribution for tokenized securities. It also establishes key infrastructure supporting the tri-parties’ broader vision of building a Japan-originated onchain capital market that connects tokenized Japanese financial assets with regulated digital cash.

    “While the asset management industry has made significant progress in reducing the costs of ETFs and mutual funds, there remains considerable room for improvement in the market infrastructure supporting trading, settlement, and distribution. This proof of concept explores the potential to transform the entire asset management lifecycle by combining tokenized assets with a yen-denominated stablecoin, enabling greater efficiency and transparency. We believe these technologies have the potential not only to streamline operations but also to enhance the investor experience and strengthen the international competitiveness of Japan’s capital markets. As an asset management company within the SBI Group, we are committed to advancing the practical implementation of next-generation financial infrastructure and bringing Japanese innovation to the global stage,” said Tomoya Asakura, CEO, SBI Global Asset Management

    “The future of capital markets will be beyond simply tokenizing assets. It will bring the entire transaction lifecycle onchain. This proof of concept demonstrates how regulated stablecoins like JPYSC can power everything from instant settlement to programmable dividend distribution, laying the foundation for a more efficient, transparent, and interoperable financial system,” said Sota Watanabe, CEO of Startale Group. 

    “Regulated tokenization only becomes real infrastructure when the settlement layer underneath it is interoperable. This proof of concept shows how regulated stablecoins like JPYSC can plug directly into the operating model behind manager-led, tokenized funds, turning what is often a static onchain representation into something that can actually move, settle, and distribute value where it applies. It reinforces why we built DigiFT’s infrastructure to support that full lifecycle, not just the token issuance step, and it is a model we expect to extend across our broader roster of tokenized funds,” said Henry Zhang, Founder and Group CEO, DigiFT, emphasizing why interoperable settlement infrastructure is core to making manager-led, regulated tokenization work at institutional scale.

    Looking beyond these PoCs, the parties also intend to explore integrating tokenized Japanese equity assets with institutional-grade DeFi infrastructure through collaborations with ecosystem partners such as Morpho and Gauntlet, enabling future use cases including lending, collateralization, and programmable onchain asset management within regulated frameworks.

    Together, the collaboration demonstrates a practical blueprint for next-generation capital markets, where tokenized assets and regulated digital cash work seamlessly to deliver faster execution, streamlined operations and new opportunities for financial innovation. The three organizations intend to accelerate the commercialization of tokenized capital markets by advancing production deployments of regulated investment products powered by JPYSC, unlocking new use cases for onchain finance at an institutional scale.

    About DigiFT 

    DigiFT is a next-generation platform for tokenized real-world assets (RWAs), regulated by the Monetary Authority of Singapore (MAS) and the Hong Kong Securities and Futures Commission (SFC) for Type 1 and Type 4 regulated activities. The platform offers end-to-end digital asset services—including tokenization, issuance, distribution, trading, and instant liquidity provision—purpose-built for institutional RWAs. Trusted by global financial institutions, DigiFT is the on-chain tokenization and distribution partner for leading asset managers such as BNY, CMB International, DBS Bank, Franklin Templeton, Hines, Invesco, UBS Asset Management, and Wellington Management. Learn more at www.digift.io

    About Startale Group

    Startale Group is a leading global crypto solutions provider on a mission to build the next civilization by bringing the world onchain. The company co-develops Soneium with Sony Group Corporation and is developing Strium through SBI Holdings, a platform enabling 24/7 trading of tokenized securities. Startale powers onchain finance through its native stablecoins JPYSC and USDSC, and offers the Startale App, a SuperApp that unifies asset management, engagement and exploring blockchain applications into a single seamless experience.

    DisclaimerDigiFT and/or its affiliates endeavour to ensure the accuracy and reliability of the information provided, but do not guarantee its accuracy or reliability, and accept no liability (whether in tort, contract, or otherwise) for any loss or damage arising from any inaccuracy or omission, or from any decision, action, or non-action based on or in reliance upon the information contained in this material.(JPYSC is regulated under the applicable Japanese regulatory framework but is not a MAS-regulated stablecoin. The token used in these proof-of-concept demonstrations is a separate testnet token and does not constitute the regulated JPYSC.) This information does not constitute an invitation, recommendation, or offer to subscribe for, purchase, or enter into any transaction involving the above-mentioned product/service or any other services mentioned. The above-mentioned product/service is only available to Accredited Investors, Professional Investors, and Institutional Investors through authorised regulated intermediaries. Before making any investment decision, please seek independent legal and financial advice. Clients intending to trade this product are reminded of the risks associated with such products and should carefully assess their investment objectives, risk appetite, financial situation, and particular needs before making any investment decision.This content is for general informational purposes only and does not constitute investment advice, an offer, or a solicitation to buy or sell any product or service. Eligibility to access or invest in any products mentioned is subject to applicable laws and investor qualification requirements. DigiFT products and services are available only through authorised and regulated intermediaries to eligible investors. Readers should seek independent legal, financial, and tax advice before making any investment decision. This advertisement is not approved by the Monetary Authority of Singapore.

    About Web3Wire Web3Wire – Information, news, press releases, events and research articles about Web3, Metaverse, Blockchain, Artificial Intelligence, Cryptocurrencies, Decentralized Finance, NFTs and Gaming. Visit Web3Wire for Web3 News and Events, Block3Wire for the latest Blockchain news and Meta3Wire to stay updated with Metaverse News.



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    This Creepy Sci-Fi Horror Anthology Series On Netflix Might Be A Masterpiece – SlashFilm

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      This Creepy Sci-Fi Horror Anthology Series On Netflix Might Be A Masterpiece – SlashFilm






      There are plenty of underrated horror shows that deserve your attention, but few are as overlooked as “Joko Anwar’s Nightmares and Daydreams.” This sci-fi horror anthology series doesn’t get much love, likely due to its Indonesian provenance, but it’s absolutely worthy of it.

      Writer/director Joko Anwar’s decades-spanning series follows everyday people as they encounter otherworldly problems, recalling the Indonesian multi-hyphenate’s work in film. He made his directorial debut in 2005 with the romantic comedy Joni’s Promise (Janji Joni), before becoming one of the most important figures in Indonesian horror. In 2018, he released what /Film dubbed the scariest film of that year in “Satan’s Slaves,” a loose remake of the 1980 film of the same name. He followed that up with 2022’s “Satan’s Slaves: Communion,” a compelling sequel that applied haunted house tropes to an apartment complex. He also oversaw the 2019 Indonesian superhero movie “Gundala” and the 2024 horror “Grave Torture,” which received 17 nominations at the 2024 Indonesian Film Festival — the most of any film that year.

      Put simply, Anwar’s horror and fantasy bonafides are not in question, which is why it’s no surprise that “Joko Anwar’s Nightmares and Daydreams” is a quality series that delivers on its promise of effective horror, mystery, and sci-fi scares. The show comprises seven interconnected Jakarta-set stories, four of which were written by Anwar himself, who also directed two installments. Anwar also co-wrote the finale with Rafki Hidayat. With the show hailing from Indonesia and set entirely there, it didn’t enjoy the same reception as “Black Mirror.” But if you ask fans of the series, and even several critics, it absolutely should have.

      Joko Anwar’s Nightmares and Daydreams is an interconnected sci-fi horror series

      Joko Anwar’s “Satan’s Slaves” and “Impetigore” proved that the next great horror movies were going to come from Indonesia. But with “Nightmares and Daydreams,” Anwar expanded his influence into TV, and while the show doesn’t have the same impact as his films, it’s arguably just as good as his best big screen horror efforts.

      Featuring a large ensemble cast, the show is the result of the titular creator’s “curiosity and fascination with alien stories,” as he put it to Tudum. “I dug deep into the intriguing concept of aliens that might not be far from us,” Anwar told the outlet, adding, “I wanted to create something that most Indonesian viewers can relate to. So although it’s sci-fi supernatural, you’ll see some social and political themes brought up.”

      Sounds like a winning formula, especially since it’s exactly how Rod Serling approached what remains the best anthology series of all time, “The Twilight Zone.” It’s also what propels the aforementioned “Black Mirror.” Unlike those shows, however, this pseudo-anthology series actually tells one big story through seemingly separate narratives that coalesce in the finale.

      Across the series’ seven episodes, we follow a taxi driver who puts his mother into a cursed nursing home, a poverty-stricken couple who adopt an orphan only to discover he’s not all he seems, and a novelist whose life starts to resemble her own character’s. There’s a community of fishermen on the verge of eviction, a man who learns hypnosis only to be forced to face the consequences of his hypnotism, and a diamond appraiser whose search for her missing sister leads her directly into peril. Every story boasts top-notch production values, strong performances, and effective scares. It deserves more attention.

      Fans of Joko Anwar’s Nightmares and Daydreams are loving the show

      Unlike “The Twilight Zone,” its follow-up “Night Gallery,” or the 1970s supernatural horror series that once hosted Jodie Foster, “Ghost Story,” “Joko Anwar’s Nightmares and Daydreams” doesn’t use the classic technique of a narrator to introduce each segment. Instead, each episode of the series merely plays out à la a “Black Mirror” episode. Unlike Charlie Brooker’s show, however, the stories eventually intertwine to reveal a surprisingly sweeping overarching narrative that spans multiple decades.

      That seems to have gone down well with both fans and critics. Reddit is full of praise for “Nightmares and Daydreams,” with users complimenting the show for being “beautifully made” and “clever, compelling, and creepy.” Others compared it favorably to the wickedly fun creep show “Guillermo Del Toro’s Cabinet Of Curiosities,” and one Redditor even wrote, “each episode is better than the one before it.”

      Meanwhile, “Nightmares and Daydreams” has racked up an 88% critic score on Rotten Tomatoes, though that’s based on just eight reviews, none of which are from “top critics.” Still, those that did review the series were very complimentary, with Paul Lê of Bloody Disgusting describing the show overall as “a mighty journey into the headspace of Indonesia’s most innovative filmmaker.” The South China Morning Post’s James Marsh found Anwar’s ability to “interweav[e] elements of horror and science fiction with more grounded stories about [Indonesia’s] chequered past and enduring economic disparities” to be an effective formula that produced something “significantly more than the sum of its parts.” 

      Clearly, then, “Nightmares and Daydreams” is at least worth checking out, if not one of the most criminally overlooked series on Netflix. You can fix that right now by heading over to the streamer, where all seven episodes are available worldwide.




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      Ghost Watching: The Rise of Invisible Luxury Watches

      Ghost Watching: The Rise of Invisible Luxury Watches


      The most revealing luxury watch in the room may be the one nobody notices. Its dial carries no logo. Its pale case passes for steel. Its proportions slip beneath a shirt cuff before the architecture of the movement can attract a second glance. Recognition belongs to the informed few.

      Pursuitist calls this emerging collector instinct Ghost Watching: the pursuit of mechanically exceptional, materially precious watches whose value remains largely anonymous in public. It is horological camouflage, expressed through blank dials, cool-toned metals, restrained dimensions and complications concealed from ordinary view.

      The shift reflects a more private understanding of luxury. Waiting-list sports watches and gem-set statement pieces still command formidable markets, yet their cultural purpose depends heavily on visibility. A ghost watch works through intimacy. The owner feels the density of platinum, understands the labor behind a black-polished bridge and recognizes a case silhouette from across a table. Everyone else sees a simple watch.

      The ghost watch turns recognition into a private language. Its audience may consist of the owner and one observant collector across the room.

      The Psychology of Anonymity

      Conspicuous watches convert wealth into public information. Their bezels, bracelets and familiar profiles perform at a distance. Ghost watches restrict that information to people capable of reading much finer signals.

      For affluent collectors, the appeal begins with discretion. A watch that resembles stainless steel and lacks an immediately identifiable dial attracts less attention in hotels, airports and city streets. No mechanical watch should be treated as invisible to a determined thief, but reduced public recognition can make daily wear feel less exposed.

      The stronger motivation is psychological. Established collectors often grow less interested in broad validation as their knowledge deepens. Rarity alone loses its authority. The relevant questions become more exacting: How was the dial produced? Who developed the escapement? Are the internal angles finished by hand? Does the architecture solve a genuine engineering problem? Is the object satisfying when nobody else knows its reference number?

      Ghost Watching replaces instant legibility with connoisseurship. A familiar logo communicates status efficiently. A logo-free fumé dial asks the observer to identify a manufacture through color, proportion, hand shape and case construction. That delayed recognition is part of the pleasure.

      Privacy also changes the owner’s relationship with the object. The watch becomes less useful as social theater and more rewarding as a tactile possession. Its weight, winding action, finishing and movement geometry remain available throughout the day, independent of anyone else’s reaction.

      Public status requires an audience. Connoisseurship survives in an empty room.

      The Invisible Luxury of the Logo-Less Dial: H. Moser & Cie.

      <!-- IMAGE PLACEHOLDER: H. Moser & Cie. Endeavour Perpetual Calendar Concept (Dial Detail) -->

      Few contemporary manufactures have pursued anonymity as deliberately as H. Moser & Cie. Its Concept series began in 2015 with a radical act of subtraction: Moser removed the logo and hour indices, leaving its signature fumé dial almost completely undisturbed.

      The result exposes how much identity can reside in execution. A Moser fumé dial typically moves from a more luminous center toward a darker perimeter, creating depth without applied ornament. Leaf-shaped hands cross this field of graduated color. The Endeavour case supplies the remaining visual clues through its balanced proportions and sculpted profile.

      There is nowhere for mediocre work to hide. On a conventional watch, typography, numerals, complications and branding divide the viewer’s attention. A blank dial places extraordinary pressure on color, surface and proportion. Minor weaknesses become structural flaws.

      Moser’s Concept language also makes a sharp argument about brand equity. The company trusts collectors to recognize its aesthetic before reading its name. According to the manufacture, the first Concept model presented a dial “free from indices or logo,” an approach that subsequently became part of the permanent H. Moser & Cie. collection. The principle now extends across watches ranging from restrained three-hand models to tourbillons and perpetual calendars.

      The Endeavour Perpetual Calendar Concept demonstrates how intellectually dense this apparent simplicity can become. On certain versions, a small central arrow indicates the month by pointing toward one of the 12 hour positions, while a large date aperture handles the calendar’s most practical information. The dial remains exceptionally spare even though the H. Moser & Cie. perpetual-calendar movement beneath it contains more than 320 components.

      This is the blank dial as insider code. A passerby may see a blue watch with very little on its face. A collector sees a perpetual calendar, an integrated manufacture caliber and one of the most recognizable acts of anti-branding in modern Swiss watchmaking.

      Material Deception: How Ghost Watching Masks Precious Metals

      Yellow and rose gold declare themselves immediately. White gold, platinum and tantalum are more ambiguous. Their cool tones allow considerable material value to hide within the visual vocabulary of an everyday steel watch.

      White Gold: Warmth in Disguise

      White gold uses gold alloyed with pale metals to produce a silvery appearance. Its exact color and surface treatment vary by manufacture, yet the effect is often quieter than yellow or red gold. On the wrist, a polished white-gold case can be mistaken for steel by anyone unfamiliar with its softer luster and greater heft.

      That ambiguity is central to Ghost Watching. White gold preserves the craftsmanship and intrinsic value associated with a precious-metal case while lowering its visual volume. The owner experiences the difference through touch, balance and the way a finely finished surface responds to changing light.

      Platinum: The Weight Only the Wearer Feels

      Platinum offers a more emphatic version of the same private pleasure. It has a cool grey-white appearance and substantially greater density than stainless steel. A visually restrained platinum watch can feel unexpectedly substantial when lifted.

      This creates one of the purest Ghost Watching sensations. The street sees steel. The wrist feels precious metal.

      Platinum also presents demanding manufacturing considerations. Its toughness and behavior during machining and polishing require expertise. When a manufacture gives a platinum case the same calm proportions as a simple dress watch, much of the expense resides in qualities that resist casual photography: mass, finish and the precision of the case maker’s work.

      Tantalum: Blue-Grey Rarity

      Tantalum pushes material camouflage into more esoteric territory. The rare metal has a deep grey color with blue undertones, exceptional corrosion resistance and a density that gives it striking wrist presence. Its hardness and extremely high melting point make it difficult to machine, helping explain its limited use in watchmaking.

      F.P. Journe made tantalum famous among modern collectors through the Chronomètre Bleu. Its 39 mm case surrounds a vivid blue dial and an 18-karat rose-gold movement, an arrangement that separates the watch’s public surface from its hidden material richness. In its technical literature, F.P. Journe records tantalum’s density at 16.65 and its melting point at 3,016 degrees Celsius.

      H. Moser & Cie. has since taken the idea further with an Endeavour Perpetual Calendar Concept in tantalum. The limited edition uses the material for both the case and a dial machined from solid tantalum, with the surface brushed directly into the metal. No logo or indices interrupt it. The value of the H. Moser & Cie. Concept Tantalum is encoded in metallurgy, machining difficulty and mechanical complexity.

      Stealth Geometry: Engineering a Watch Out of Sight

      Traditional prestige watches often create presence through diameter, thickness and weight. Ultra-thin watchmaking pursues the opposite sensation. It reduces mechanical architecture until a complicated object can vanish beneath a cuff.

      This form of discretion demands severe engineering discipline. A conventional movement stacks bridges, wheels, dial and case components vertically. An ultra-thin caliber must compress those layers, combine structural roles or rearrange the entire mechanism. Tolerances narrow. Components become more vulnerable to flex. The case itself may need to serve as part of the movement’s supporting architecture.

      Bulgari Octo Finissimo Ultra COSC

      The Bulgari Octo Finissimo Ultra COSC measures 1.70 millimeters thick, including its 40 mm titanium case. Its bracelet is only 1.50 millimeters thick. Inside, the manually wound BVL 180 operates at 4 Hz, provides a 50-hour power reserve and carries COSC chronometer certification. Bulgari produced the reference as a limited edition of 20 pieces.

      The dimensions are almost difficult to process. A common credit card is roughly half as thick as the entire watch. Bulgari achieved this by treating the movement, case and display as an integrated mechanical plane. A tungsten-carbide main plate supplies rigidity, while the winding and setting systems become visible parts of the composition.

      Its faceted Octo geometry remains identifiable to enthusiasts, although the sandblasted titanium and monochromatic treatment suppress the usual signals of jewelry. From a distance, it appears closer to an industrial design object than a traditional prestige watch. Its engineering achievement becomes apparent only at close range.

      Piaget Altiplano Ultimate Concept

      Piaget’s Altiplano Ultimate Concept approaches stealth through an even more classical lineage. Piaget introduced the 2 mm-thick caliber 9P in 1957, establishing ultra-thin construction as one of the house’s defining disciplines.

      The Altiplano Ultimate Concept compresses the complete watch, including its case and sapphire crystal, into a thickness of 2 millimeters. Its wheels can be as thin as 0.12 millimeters, while the sapphire crystal measures 0.2 millimeters. The project required four years of development and generated five patents. The Piaget Altiplano Ultimate Concept received the Aiguille d’Or at the Grand Prix d’Horlogerie de Genève in 2020.

      At this scale, slenderness ceases to be a styling decision. It becomes the substance of the watch. The wearer feels the absence of bulk, while the collector understands the immense effort required to remove each fraction of a millimeter.

      Piaget later placed a flying tourbillon within the same 2 mm overall thickness for its 150th anniversary in 2024. The complication demanded 25 percent more power and required the manufacture to redesign 90 percent of the original watch’s components, according to Piaget. The achievement captures the central paradox of Ghost Watching: the physical object nearly disappears while the engineering becomes more extreme.

      In ultra-thin watchmaking, absence has to be manufactured. Every missing millimeter represents a solved mechanical problem.

      The Hidden Party: Complications Reserved for the Caseback

      Horological camouflage reaches its most satisfying expression when the dial remains composed and the movement reveals its full character only after the watch leaves the wrist.

      Independent watchmaking has long understood the dramatic value of the caseback. A calm three-hand display can conceal a tourbillon, micro-rotor or exquisitely finished manual movement. Turning the watch over reveals polished screw heads, sharp internal angles, Geneva stripes, circular graining and black-polished steel components. These details may demand days of skilled work while contributing little to public recognition.

      Laurent Ferrier’s tourbillon watches illustrate the philosophy particularly well. Their dials preserve the house’s smooth, restrained visual language, while the sapphire back exposes the tourbillon caliber and its double balance spring. The complication becomes a private performance, available when the owner chooses to remove the watch.

      This arrangement restores ceremony to mechanical discovery. An exposed tourbillon on the dial performs continuously for the room. A tourbillon on the reverse waits for an invitation.

      The caseback also allows finishing to retain its integrity as craft. Hand-beveled edges and polished countersinks can be appreciated slowly, under a loupe, without turning the dial into a showroom. The most expensive work may occupy the least visible surface.

      Pursuitist Final Word

      Ghost Watching marks a collector’s progression from being seen to seeing.

      The strongest examples offer more than generic minimalism. A Moser Concept dial turns omission into identity. White gold and platinum convert preciousness into private weight. Tantalum hides rarity inside an industrial blue-grey surface. Bulgari and Piaget reduce mechanical watchmaking to dimensions that approach the improbable. A discreet caseback reserves the final revelation for the owner.

      The ultimate ghost watch should look inevitable from across the room and astonishing under magnification. Its value travels through material, architecture and finishing, protected from immediate public comprehension. The owner carries the secret. That is the flex.



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      Truth Scrapper Is A Cheerful, Messy, and Breezily Queer Mystery I Can’t Wait To Piece Together – Kotaku

      Truth Scrapper Is A Cheerful, Messy, and Breezily Queer Mystery I Can’t Wait To Piece Together – Kotaku


      I’m not crazy about visual novels. I don’t say that to take some sort of weird, morally superior position—it’s a fantastic genre, and I’ve enjoyed games like Butterfly Soup, the Ace Attorney games, Slay the Princess, and more. They just tend to miss with me more often than not, and I’m saying this to lead up to the fact that I’ve taken a chance on a visual novel today. I played the demo of Truth Scrapper, and I want it on record that despite my hangups, I’m really, really happy that I did.

      I’m interested in Truth Scrapper because I fell deeply in love with the last work by insertdisc5, In Stars and Time. In Stars and Time is a beautiful turn-based RPG about a time loop that goes fully off the rails as the protagonist struggles to break free. My favorite thing about In Stars and Time is the writing, and the deeply lovable yet messy party of funny, kind, queer, and earnest characters. Truth Scrapper being a visual novel, then, gives me a lot of optimism that its core component is going to be to my liking.

      ©insertdisc5

      Like In Stars and Time before it, Truth Scrapper‘s free demo is a modified version of the game itself. It’s intended to give you a taste of the vibes of the full game, but is not exactly the same as what you’ll encounter when you actually begin for real, so you don’t feel like you have to repeat a bunch of stuff you’ve seen before when the game fully releases. I like this approach a lot, especially for a story game based around choice-making where I want to feel committed to my own decisions. The demo is short but sweet: you play as Sosotte, a “truth scrapper” who loses all her memories at the end of each day. Sosotte is able to regain some of her memories by touching her scrapbook whenever she wakes up, and is able to recall anything she’s recorded therein. Your choices largely revolve around deciding what to remember and what to forget each day, whether those are feelings, sights, sounds, smells, or pure information.

      Sosotte is visiting a sinkhole known as The Dwell, and is assisted by two individuals: the buff softie Amour, and the more serious, princely Betz. Together they’re investigating a string of attacks on members of Sosotte’s guild, though at the outset of the demo it looks like Sosotte has already been attacked herself. I think there’s an easy trap that Truth Scrapper could fall into here in immediately dropping the player into heavy exposition about its seemingly intricate fantasy world, especially given Sosotte’s amnesia. But like In Stars and Time, Truth Scrapper doesn’t do any of that. It gives Sosotte what she needs to know, and then lets the player learn about the world through experience. I love when games nail this. Shockingly few do.

      It’s clear from the outset that my choices of what to remember will impact my relationships with both Amour and the beautiful, brave Betz (no I have not already picked a favorite why do you ask?). I like both of them, though thus far I’m a little less sold on Sosotte herself, who adopts a false cutesy uwu attitude in her initial interactions with the pair until she’s called out on it, after which she’s still just a little too tumblr for me when she speaks. Her inner voice works for me though, so I want to believe she’s just putting on a weird series of fronts for reasons I’ll learn later.

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      ©insertdisc5

      Truth Scrapper is also very pretty to look at. It’s distinct from In Stars and Time but also does a lot of the same things that I think In Stars and Time did well. The game is mostly in black and white, with a story told in the sort of aged-looking photos one might find in a scrapbook. But color is used thoughtfully to indicate important characters or items, and it’s suggested that it may play a larger role in the story. I like the character designs, and the breezy, joyful ways the art plays with gender expression in every single character. Which, speaking of, In Stars and Time was real queer, in ways that were very meaningful to me personally. This is looking to be real queer too, and even if it doesn’t hit my soul in the precise way the last game did, I’m still stoked for all the cuties.

      While I don’t think Truth Scrapper has quite gripped me as immediately and as tightly as In Stars and Time did, the reason I keep bringing up its predecessor is because that game earned a lot of trust from me on behalf of insertdisc5’s ability to tell a really good story, especially one that unfolds in a (relatively) contained space and time, and spends a lot of time in a main character’s head. Truth Scrapper is mechanically and tonally a very different game, but it’s following up on so many of the same things In Stars and Time did well that I can’t help but want to see it through.



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