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Bitcoin Options Markets Signal Persistent Downside Hedging Despite Gradual Volatility Normalization | Metaverse Post

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Bitcoin Options Markets Signal Persistent Downside Hedging Despite Gradual Volatility Normalization | Metaverse Post


by
Alisa Davidson


Published: July 03, 2026 at 9:30 am Updated: July 03, 2026 at 7:59 am

by Anastasiia O


Edited and fact-checked:
July 03, 2026 at 9:30 am

In Brief

Bitcoin options show rising volatility and persistent put demand, indicating cautious sentiment despite easing downside hedging pressure.

Bitcoin Options Markets Signal Persistent Downside Hedging Despite Gradual Volatility Normalization

Analysis from blockchain analytics firm Glassnode indicates that Bitcoin derivatives markets are undergoing a gradual repricing of risk as BTC continues its drawdown. According to the report, options data suggests a shift in how investors are assessing volatility, downside protection, and the probability distribution of near-term price movements.

Market indicators such as DVOL have been trending higher alongside the decline in BTC, reflecting an increase in expected future volatility. However, implied volatility remains significantly below levels typically associated with major market stress events, suggesting that while uncertainty is rising, conditions have not reached historical extremes.

Despite a partial price recovery from approximately $58,000, skew metrics remain positive, indicating sustained demand for put options over call options. This points to continued interest in downside hedging, although the degree of defensive positioning has eased compared with earlier periods of heightened market stress.

In parallel, BTC continues to trade in negative gamma territory, a condition that can intensify price fluctuations due to dealer hedging activity. Combined with elevated implied volatility and persistent put demand, the overall structure of the options market remains cautiously defensive.

Options Positioning Signals Persistent Downside Hedging Demand

Data from Deribit shows that put options continue to trade at a premium relative to call options, reflecting ongoing demand for protection against price declines. The one-week 25-delta put-call skew was recorded at approximately 16%, indicating a higher implied volatility premium for puts. While still elevated, this represents a decline from roughly 25% ten days earlier, according to data from Velo.

Similar patterns are observed across longer maturities, with one-, three-, and six-month skews also showing put premiums of around 10% or higher. This suggests that downside risk concerns remain embedded across the term structure, even as longer-term investors, including ETF participants and holders, appear to have resumed accumulation.

Options flow data, including large block trades typically executed off-exchange by institutional participants, continues to reflect positioning consistent with range-bound expectations rather than strong directional bullish conviction.

Market liquidity conditions may also be affected by the U.S. Independence Day holiday closure, which is expected to reduce trading activity and potentially increase the likelihood of sharper price movements during a thinner market environment.

Disclaimer

In line with the Trust Project guidelines, please note that the information provided on this page is not intended to be and should not be interpreted as legal, tax, investment, financial, or any other form of advice. It is important to only invest what you can afford to lose and to seek independent financial advice if you have any doubts. For further information, we suggest referring to the terms and conditions as well as the help and support pages provided by the issuer or advertiser. MetaversePost is committed to accurate, unbiased reporting, but market conditions are subject to change without notice.

About The Author


Alisa, a dedicated journalist at the MPost, specializes in crypto, AI, investments, and the expansive realm of Web3. With a keen eye for emerging trends and technologies, she delivers comprehensive coverage to inform and engage readers in the ever-evolving landscape of digital finance.

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Alisa, a dedicated journalist at the MPost, specializes in crypto, AI, investments, and the expansive realm of Web3. With a keen eye for emerging trends and technologies, she delivers comprehensive coverage to inform and engage readers in the ever-evolving landscape of digital finance.








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‘Mad Max’ Star Kjell Nilsson Dead at 76

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    ‘Mad Max’ Star Kjell Nilsson Dead at 76


    ‘Mad Max’
    Kjell Nilsson Dead at 76

    Published
    July 3, 2026
    6:28 AM PDT

    Kjell Nilsson, who played Lord Humungus in the classic “Mad Max 2” film, has died.

    Chris Carbaugh, Kjell’s rep, tells TMZ … the actor died Thursday in Queensland, Australia, surrounded by family after a four-year battle with kidney disease.

    sub-Kjell-Nilsson-alamy-1

    The Swedish-born Kjell was an Olympic-class weightlifter … which came in handy when he was cast as the terrifying, metal-masked Lord Humungus in “Mad Max 2” — known in America as “The Road Warrior.”

    Kjell appeared in several other films … but he was best known for ‘Mad Max.’

    Chris tells TMZ … Kjell was a wonderful person who inspired many as a weight-training coach. He loved the ‘Mad Max’ fans and embraced the role.

    He was 76.

    RIP



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    Rose Bowl flea market: A rainy-day diary

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    Rose Bowl flea market: A rainy-day diary


    Rose Bowl flea market: A rainy-day diary

    Friday, July 3rd 2026

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    ||- Begin Content -||
    Manish thinks hard about whether he can pull off purple

    When Cody arrived to pick us up, it had already started spitting. This was the one day we were going to be outside for any length of time, and wouldn’t you know it, it was the only day it was going to rain. 

    Never mind, it wasn’t that heavy and right now we were absorbed in hellos, hugs, and comments about Cody’s car. Cody Wellema, long-time friend, hatmaker and now vintage buyer, was driving us to Rose Bowl, and we were all piling into his old Honda CR-V. 

    Cody is one of those friendly, open people you immediately feel you know well. But it does add a level of intimacy when you travel in someone’s car – sort of a halfway point towards visiting their house. Cody’s was dotted with wrappers and various other pieces of kid-related paraphernalia, while the boot had threads, strips of plastic and other tell-tale signs of the amount of clothing he has to ship around.  

    In fact, one of the endearing aspects of Cody’s set-up for the day was that as he walked around the flea market, in his pitch-perfect western hat and rare vintage jacket, he also pushed a large plastic shopping caddy, because it was the only way to carry all the stuff.

    Mercilessly mocking Cody for his old-man’s trolley
    Manish and myself with piles of military surplus

    Rose Bowl opens at 5am, and the real seekers turn up that early, often with head torches to help them see in the dark. We weren’t that keen, but our original plan had been to turn up at 7am at least, to experience a bit of the treasure-seeking vibe. 

    The rain made that pointless. There would be fewer sellers, so fewer buyers, and the atmosphere just wouldn’t be the same. We set our arrival time for 9am. 

    The rain did come throughout the morning, but it was splatters and showers, and it turned out everyone we wanted to see was there anyway. It helped that the rarer, more higher-end vintage fair Inspiration had been on the previous two days, so a lot of the top-end international buyers were in town anyway. 

    And apparently the opposite weather is much worse: on a scorching hot day the sun boils off the tarmac, and the place feels like a torture oven. 

    Vintage beads – see if you can spot Manish wearing them in future articles
    Ben McGinty of McGinty’s Gallery in Altadena

    Rose Bowl flea market is held in the parking lot of Rose Bowl stadium, a century-old arena that looks very much of its era, all concrete and columns. But is significant historically and culturally: it hosted the Olympics in 1932 and 1984, has seen five Super Bowls, and was the venue for the 1994 World Cup final (that’s football/soccer; Brazil beat Italy on penalties).

    Rose Bowl is a flea market and it feels like it. Despite the reputation among vintage fans – it must be the most famous such market in the world – it has a very local, fun atmosphere. A chatty man with a massive white beard stamped our tickets with a chuckle, and everyone seemed to be calling out to each other as they strolled in.

    Once inside, there were hundreds of potential stalls to visit (even on a grey day). Luckily, Cody is an old hand and guided us from one of his favourites to another, either side of a little bridge over a canal. 

    Manish talks to Bob Melet
    Some of Bob’s vintage shop furnishings

    The standard of the clothes is high – pretty much every stall had something of interest – but Cody wanted us to meet some sellers in particular. One was Bob Melet, one of the men behind RRL alongside Doug Bihlmaier. Bob sells lots of things, but particularly specialises in shop fittings. 

    Manish chatted to Bob (above) while the rest of us rooted through the merchandise. Lucas was particularly pleased to find an old flannel shirt in his size; being a 54 chest, it’s often slim pickings for him when it comes to vintage. 

    An old flannel like that, by the way, is great because of the quality (old, less industrially farmed cotton) and the sheer number of times it has been worn and washed (creating particular softness, and a patina of tiny frays or nicks) relative to the price. Lucas’s was $60.

    Lucas in his brand new (old) shirt
    Browsing sleeves

    Next up was Woody and Barry, who ran the stall next door. Talking to Barry we learned he lives in Bishop, up in the eastern Sierra mountains, and specialises in outdoor clothing like thermals, fleeces and down jackets. There’s a lot of them in second-hand shops up there, but not much makes it to the city. 

    This was echoed at a few other stalls around Rose Bowl – although most are generalists, there were enough that specialised in military surplus, or old sports wear, to add real depth to the offering.

    Interestingly, at the farther end was a group of guys selling more recent vintage – mostly nineties and noughties, some eighties. This younger group has apparently grown out of the popularity of second-hand clothing, and then the search for rarities within that. It tends to specialise in denim, band tees, and made-in-the-US products from the likes of Ralph Lauren. 

    Marco Tamponi
    Ethan Wong
    Brandon Mahler

    We kept running into people we knew. That might not seem surprising, but we honestly didn’t expect it given the day and location. 

    Jojo from Rag Parade in Sheffield was there, as was Atsushi Matsushima from Clutch magazine. We ran into Ethan Wong, Brandon Mahler (ex-Aime Leon Dore, now Buck Mason) and Marco Tamponi from Sebago/Woolrich, who we had hosted a dinner with just the previous month. 

    But what did I buy, I hear you cry? Well, two things. One a pair of US-made Ralph Lauren chinos with a really lovely fade, which turned out to be too low in the rise when I tried them on for longer back in the hotel. It’s hard to spend too much time taking your trousers on and off in a street market. 

    But also, more successfully, a beautiful Lee Storm Rider jacket – blanket-lined, so soft, and in need of a few repairs but nothing major. Lucky I have a guy for that. 

    And it was $90. Great value for what it was, and illustrative of the fact that I had swum further upstream than normal – I was buying from the flea markets that the buyers go to, rather than the buyers’ physical shop in a convenient location, where all the searching would have been done for me, and probably the repairs too. As Erik wrote recently, it’s all about paying for time. 

    The Lee jacket. These proportions work so well on me when the size is big enough
    Cody was after a lot of vintage silver jewellery

    Rose Bowl takes place once a month – the second Sunday – and if I was going to come to LA again I’d definitely time my visit for it. 

    Then again, I’m not so much of a vintage head, or the offering isn’t so unusual, that I would travel specifically to come. So perhaps it ranks at the level of a very good, destination menswear shop. Given the lack of such shops generally in LA, that is still significant.

    Thank you to Cody, Kentaro and everyone else who showed us such a lovely time that rainy Sunday in Pasadena. Hopefully see you all soon. 

    Cody finds an old hat that appears to have been used as a graduation souvenir, with friends signing their names
    And a close up
    <!–

    –>



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    Best TV Movies Based On A Show | MarkMeets Media

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      Best TV Movies Based On A Show | MarkMeets Media


      The Magic of TV Movies: A Journey Through Beloved Adaptations

      TV movies has become a thriving extension of many adored television series, allowing audiences to reconnect with their favorite characters long after the final curtain falls. As certain shows conclude their runs, their stories often live on through engaging TV movies, fulfilling the insatiable hunger fans have for more plotlines and character development. These cinematic continuations aren’t just cash grabs; they often provide closure to unresolved story arcs and invite fans back into worlds they cherish.

      Some of the most beloved TV movies have not only recaptured the essence of their shows but have also adapted to modern contexts and challenges. For instance, “Mr. Monk’s Last Case,” featuring the neurotic detective, was able to address contemporary issues like the COVID-19 pandemic, providing fans a unique blend of nostalgia and relevance.

      TV movies, whether they serve as sequels or a means to tie up loose ends, have secured their place in our hearts, ultimately offering comfort and entertainment. Here’s a closer look at some outstanding TV movies based on hit series that fans continue to enjoy long after the credits roll on the original programs.

      1. Fistful of Vengeance (2022)

      Continuing the Journey of “Wu Assassins”

      After the first season of “Wu Assassins” dropped in 2019, fans were left on the edge of their seats, wondering whether the saga would continue. Thankfully, the 2022 film “Fistful of Vengeance” treated audiences to a thrilling continuation of the show’s narrative. It brings back fan-favorite characters played by Iko Uwais, Lewis Tan, and JuJu Chan, who embark on a riveting quest for revenge in Thailand, all while showcasing their martial arts prowess that followers of the original series have come to love.

      Even though “Fistful of Vengeance” can be critiqued for its inconsistencies and a script that falters at times, it still offers a nostalgic punch for die-hard fans yearning to reconnect with this universe. Uwais shines as the lead, especially in the film’s exhilarating fight scenes, maintaining the electrifying action that the series showcased.

      2. L.A. Law: The Movie (2002)

      Revisiting Legal Drama After Eight Years

      “L.A. Law” was a groundbreaking legal drama that graced our screens from the mid-’80s to the mid-’90s. A beloved staple of NBC, the show not only tackled courtroom conflicts but also provided a window into the lives of its diverse characters. Fast forward to 2002, and “L.A. Law: The Movie” emerged, reuniting viewers with its characters eight years after the original series wrapped up.

      The film focuses on Leland McKenzie and Michael Kuzak, now in retirement, exploring how their lives have transformed. The absence of key characters might create some disappointment among die-hard fans, but the film still engages with its sharp dialogue and character-driven plots. Nostalgic viewers will appreciate the callbacks to the series, making it a delightful experience even without the entire cast intact.

      3. Doctor Who: The Movie (1996)

      An Attempt to Reignite a Timeless Classic

      “Doctor Who,” a staple of British television, faced uncertainty after its cancellation in 1989. In an effort to reignite interest, “Doctor Who: The Movie” was released in 1996, featuring Paul McGann as the Eighth Doctor. While it struggled to capture widespread acclaim, many fans found enjoyment in its quirky narrative and unique portrayal of the Doctor’s character.

      The film intended to establish a bridge toward a potential American adaptation of the iconic series. Even though it faltered in meeting high expectations, it remains a cherished piece for Whovians, thanks to McGann’s charismatic performance, which facilitated a revival of excitement around the franchise.

      4. Project ALF (1996)

      Satisfying Long-Awaited Curiosities

      After the beloved sitcom “ALF” delighted fans for four years, it ended on a heartbreaking cliffhanger in 1990, leaving viewers desperate for answers. Fast forward to 1996, and “Project ALF” emerged as a resolution to those unanswered questions, airing on ABC. While it didn’t reunite the original cast, Paul Fusco reprised his role as ALF, bringing the same delightful charm that captivated audiences.

      The film picks up directly after the series finale, exploring ALF’s escapades and interactions with government officials. Although some elements of charm fade without the Tanner family, “Project ALF” still embodies the humor and character essence that endeared viewers to the original show.

      5. Burn Notice: The Fall of Sam Axe (2011)

      Spotlighting a Fan-Favorite Before His TV Debut

      The character of Sam Axe, played masterfully by Bruce Campbell, was a standout in “Burn Notice,” gaining fans for his quick wit and comic relief. The spin-off film “Burn Notice: The Fall of Sam Axe” premiered between seasons four and five of the series, providing an entertaining backstory to Sam’s character, revealing events leading up to his introduction in the pilot episode.

      This film not only catered to devoted fans but also set up plot elements for the subsequent seasons. While it doesn’t break the mold, the balanced mix of humor and action gives viewers an excellent insight into Sam Axe’s character, making it a welcome addition to the “Burn Notice” franchise.

      6. Prison Break: The Final Break (2009)

      An Emotional Coda for Beloved Characters

      While “Prison Break: The Final Break” may not have been absolutely essential, it served as a compelling bridge to the fifth season of the beloved series. The film focuses on the romantic turmoil between Michael and Sara, providing deep insights into Michael’s mysterious past and the legacy of his actions.

      The film runs parallel to the show’s action-packed narrative while striking chords with its emotional depth. Although the series began to lose momentum as it progressed, “The Final Break” rekindles some of what made “Prison Break” so engaging in its early seasons, offering fans a satisfying blend of action and character development.

      7. Psych: The Movie (2017)

      Reuniting the Quirky Duo

      Following the series finale of “Psych,” which left a lasting impact on fans, “Psych: The Movie” brings back the hilarious crime-solving duo Shawn and Gus three years later. With James Roday and Dulé Hill reprising their roles, the film revives the comedic charm that made the original show a hit with audiences.

      “Psych: The Movie” features a delightful combination of callbacks and fresh content, merging nostalgia with imaginative storytelling. Thanks to the strong chemistry between Roday and Hill, the film recaptures the magic of the original series and sets the stage for additional installments—proving the franchise still has much to offer fans.

      8. Deadwood: The Movie (2019)

      Wrapping Up a Cult Classic

      HBO’s gripping Western drama “Deadwood” gained a dedicated fanbase during its original run, leaving viewers craving more long after its cancellation. In 2019, the much-anticipated “Deadwood: The Movie” was finally released, much to the delight of loyal fans.

      This film picks up over a decade after the series finale and brings back many original cast members, including Timothy Olyphant and Ian McShane. Although critics mentioned that “Deadwood: The Movie” occasionally feels redundant, it ultimately delivers with stellar performances and fan service, allowing viewers to revisit the characters that have become engrained in their hearts.

      9. El Camino: A Breaking Bad Movie (2019)

      The Continuing Saga of Jesse Pinkman

      “El Camino: A Breaking Bad Movie” serves as a powerful epilogue to the critically acclaimed series “Breaking Bad.” Picking up immediately after the series finale, it follows Jesse Pinkman (Aaron Paul) as he navigates the aftermath of turbulent events in his life.

      The film serves as a therapy session of sorts, providing closure to Jesse’s character while giving audiences a chance to reflect on the weighty themes from the original series. The emotional undertones, coupled with Aaron Paul’s remarkable performance, create a viewing experience that enthralls both fans of “Breaking Bad” and newcomers alike.

      10. Mr. Monk’s Last Case: A Monk Movie (2023)

      A Nostalgic Return to Familiar Faces

      “Mr. Monk’s Last Case: A Monk Movie” marks a triumphant return of Adrian Monk, played by Tony Shalhoub, the endearing detective who embraced his quirks while solving intricate cases. A full 12 years after the show concluded, this TV movie hits homespun notes, reuniting fans with the character they fell in love with during the original run.

      Taking place in the context of the COVID-19 pandemic, Monk faces contemporary challenges in his detective work, and the film skillfully intertwines humor with heartfelt moments. Monk’s unique approach to life underlines the charm that’s remained intact, and fans appreciate how familiar faces are woven back into the narrative tapestry.

      Embracing the Legacy of TV Movies

      In summary, TV movies based on popular shows allow devoted fans to return to the rich narratives and well-loved characters they have adored for years. While the quality and necessity of these films can vary, they often serve as emotional touchpoints for audiences, intertwining nostalgia with contemporary storytelling.

      Whether providing closure to longstanding mysteries or reigniting beloved character arcs, these films continue to captivate audiences and preserve the essence of their respective series. So as we step into the future of television and film, we can honor the legacy of these remarkable TV movies that have reinvigorated our connection to the small screen and invited fresh interpretations of stories that resonate now more than ever.

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      Dwayne Johnson Labeled A ‘Coward’ For Political Silence

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        Dwayne Johnson Labeled A ‘Coward’ For Political Silence


        Actor and author Wil Wheaton did not hold back his frustration with Dwayne “The Rock” Johnson this week, slamming him as a “coward” for choosing to remain politically neutral.

        Johnson played coy when asked whether he had stayed silent to maximize the audience for his movies.

        He leaned Democratic in 2020 when he endorsed Joe Biden, but later said he regretted his endorsement.

        Dwayne “The Rock” Johnson has come under fire from a Hollywood colleague for choosing to remain silent politically, even as the country plunges deeper into political division.

        In a passionate social media post, Wil Wheaton labeled Johnson a “coward,” seemingly maintaining that public figures have a moral obligation to take a stand on critical social and political issues.

        “So disappointing to find out he is such a coward,” Wheaton wrote on Threads on Monday, per Entertainment Weekly.

        Wheaton’s criticism came in response to a post by George Takei that quoted Esquire’s recent interview with Johnson.

        “Dwayne ‘The Rock’ Johnson’s recent comments to Esquire about wanting to ‘keep my politics to myself’ have divided fans, with some calling out his silence,” Takei wrote on Threads.

        In a follow-up response, he added, “Silence is complicity.”

        Dwayne Johnson Says Art Is His ‘Main Thing’

        MEGA

        Wheaton has remained a vocal Trump critic and previously campaigned for Kamala Harris in the buildup to the 2024 presidential election.

        Unlike him, whose political stand is known, Johnson is neither here nor there. In an interview with Esquire last month, he explained why he intentionally avoids the topic when asked whether he was trying to maximize his movies’ audience by doing so.

        “What I have learned through experience is that I need to keep — need, not want — the main thing the main thing. And the main thing for me, the thing that in the morning I swing my legs out of bed, and I run towards, is creating. It’s art. It’s storytelling,” he told the outlet.

        Wheaton has remained a vocal Trump critic and previously campaigned for Kamala Harris in the buildup to the 2024 presidential elections.

        Johnson Says He ‘Hates’ Politics

        Dwayne Johnson at "The Smashing Machine" Photocall - The 82nd Venice International Film Festival
        KCS Presse / MEGA

        Johnson went further to explain in the interview that he does not want his politics to distract from his work, but is always open to dialogue.

        “I’ve learned I’m going to keep my politics to myself,” he said. “There are moments when, hey, there’s nothing we can’t talk about. If I’m wrong, I’ll tell you I’m wrong. Or if I feel like I got a leg up and this is the right way to go, I’ll share it with you.”

        He continued, “Politics is omnipresent, and it’s forever. I don’t like it. [Laughs.] I hate it at times. I hate the slinging. I hate all the bullsh-t that comes with it.”

        He then addressed the reporter, who had brought up politics with a remark about Bruce Springsteen’s recent anti-Trump tour, saying it would be better if both parties that do not see eye to eye had a conversation rather than calling each other out.

        Dwayne Johnson Vowed Not To Repeat 2020 Endorsement

        Johnson leaned Democratic in 2020 when he publicly endorsed Joe Biden in the buildup to the presidential election.

        However, in a 2024 chat with Fox News’ Will Cain, the “Black Adam” star expressed regret for his actions, noting that his endorsement caused significant division among his fanbase.

        “The endorsement that I made years ago with Biden was one I thought was the best decision for me at that time… And I thought back then, when we talk about, ‘Hey, you know, I’m in this position where I have some influence, and it’s my job then… to exercise my influence and share… this is who I’m going to endorse,’” he said at the time.

        “Am I gonna do that again this year? That answer is no, I’m not gonna do that, because what I realized — what that caused back then — was something that tears me up in my guts, back then and now, which is division,” he added. “And that got me. The takeaway after that, months and months and months, I started to realize, like, ‘Oh man, that caused an incredible amount of division in our country.’”

        Dwayne Johnson Opened Up About Cancer Scare

        Dwayne Johnson at The Smashing Machine Red Carpet In Italy
        ZUMAPRESS.com / MEGA

        Away from his political stance, Johnson has also had a difficult time with his health, as he opened up about a very painful cancer scare in his interview with Esquire.

        He revealed that, before press time for “Jumanji: Open World,” he discovered a lump on one of his testicles while showering.

        “By the way: I’m fine,” he insisted. “But I didn’t know that then, and the thing was really painful.”

        He added that he decided to keep it away from everyone and did not even tell his wife of nearly two decades, Lauren Hashian.

        “I didn’t want to worry her before I knew if it was anything to even worry about,” he said.

        When he visited his doctor, he was told it could be a case of epididymitis or a symptom of testicular cancer and was asked to take an ultrasound immediately.

        “So, I had to live with that for those 24 hours, not knowing,” he recalled, later adding that he is “OK” now. “And I had to be on all day, joking around, making speeches.”





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        CoinIQ Crypto Analysis: The Anti-FOMO Crypto App That Grades Coins Before You Buy | NFT News Today

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        CoinIQ Crypto Analysis: The Anti-FOMO Crypto App That Grades Coins Before You Buy | NFT News Today


        A coin starts trending, timelines fill up with bullish takes, the price is already moving, and it feels like everyone got in early except you. That pressure — the urge to buy before you even understand what you’re buying — is where most bad crypto decisions start.

        CoinIQ Crypto Analysis is built for exactly that moment: the one right before you open an exchange app. It gives you a clear A–F grade and a plain-English explanation, so you can pause and check the signals instead of acting on impulse.

        What Is CoinIQ Crypto Analysis?

        CoinIQ Crypto Analysis is a crypto grading app available now on Android, with iOS planned for a future release. It scores cryptocurrencies from 0 to 100 and converts that score into a simple A–F grade, using a transparent 9-signal scoring system. Every grade comes with a plain-English breakdown, so instead of interpreting raw charts and scattered data yourself, you get a clear second opinion in seconds.

        Why Crypto Investors Need a Second Opinion

        Retail crypto investors rarely lack information, they’re drowning in it. X threads, Telegram calls, Discord alpha, meme coin narratives, and sudden green candles all compete for attention at once. The real problem isn’t a shortage of data; it’s the absence of a simple framework for interpreting it under pressure. CoinIQ Crypto Analysis turns that scattered noise into one clear grade, giving you something concrete to check before you act on hype.

        How CoinIQ Crypto Analysis Grades Crypto Coins

        Every coin is scored using nine weighted signals:

        Narrative + Cycle

        18%

        Where the coin sits in its story and market-cycle arc

        Momentum

        18%

        Price and volume trend strength

        Liquidity

        12%

        How easily the coin can be traded

        Market Cap

        12%

        Size, maturity, and market context

        Risk Fit

        10%

        Volatility and risk profile

        Catalyst

        10%

        Upcoming events or triggers

        Hype

        8%

        Social buzz and attention

        Sentiment

        6%

        Community and market tone

        News

        6%

        Recent news flow and implications

        CoinIQ Crypto Analysis doesn’t ignore hype, it puts hype in context. Momentum and narrative carry real weight, but they’re balanced against grounded factors like liquidity, market cap, and risk fit: the details most hype-driven buyers skip past entirely.

        A–F Grades Make Crypto Research Easier

        Most crypto tools hand you charts, order books, and sentiment snippets, then leave you to figure out what it all means. CoinIQ Crypto Analysis translates those signals into a grade you can read in seconds — a quick snapshot of whether a coin looks strong, weak, risky, or overheated. It’s not a tool that tells you what to buy; it’s a tool that helps you understand the signals before you decide for yourself.

        Plain-English AI Breakdowns Explain Every Grade

        A grade only means something if you understand what’s behind it. Every coin comes with a natural-language AI breakdown explaining which signals are pulling the score up or down, so nothing is left as a mystery number. The AI explains the score — it doesn’t predict pumps or tell you what to buy.

        Technical Analysis Built Into the Score

        For coins with enough exchange data, CoinIQ Crypto Analysis layers in Ichimoku-based technical analysis, adding price structure and trend context beyond the headline grade. It’s simple on the surface, built for more serious research underneath — useful whether you’re a casual investor or an active trader.

        Multi-Exchange Data Fallback for Broader Coverage

        CoinIQ Crypto Analysis pulls exchange data from KuCoin, Coinbase, and Gate.io. If one exchange doesn’t have enough data for a coin, the app automatically falls back to another, expanding technical coverage across more coins without needing an app update. It’s built as a maintained, actively improving product, not a static list.

        Data Freshness Monitoring Helps Keep Grades Relevant

        Crypto markets move fast, and stale data can be worse than no data at all. CoinIQ Crypto Analysis monitors whether each coin’s data is current, so grades reflect real market conditions rather than an outdated snapshot.

        Shareable Grade Cards Make Crypto Analysis Social

        Found a coin worth discussing? CoinIQ Crypto Analysis lets you export a branded grade card — including animated video versions — to share directly on social media.

        Available on Android, With iOS Coming Soon

        CoinIQ Crypto Analysis is live now on Google Play, giving Android users a mobile-first way to check a coin’s grade before making a move. An iOS version is planned for a future release, bringing the same A–F grading experience to iPhone.

        More Advanced Features Are Coming to CoinIQ Crypto Analysis

        Wallet tracking. Planned wallet tracking features are designed to help users monitor wallet activity and gain more context around market behavior.

        Advanced algorithms. CoinIQ Crypto Analysis is expected to evolve beyond its current 9-signal framework, with more advanced algorithms planned to improve scoring depth, market context, and risk analysis over time.

        Smarter market intelligence. The long-term vision is a broader crypto intelligence layer: fast enough for the FOMO moment, but deep enough to support more serious research.

        Who Should Use CoinIQ Crypto Analysis?

        CoinIQ Crypto Analysis is built for retail crypto investors, active traders, and beginners who find crypto research overwhelming, anyone who hears about a coin on social media and wants a second opinion before acting on it. In short: it’s built for the moment after you hear about a coin, but before you decide whether to buy it.

        What Makes CoinIQ Crypto Analysis Different?

        A grade, not just raw data. Most crypto apps hand you charts and statistics; CoinIQ Crypto Analysis interprets those signals into a clear A–F grade.

        A transparent scoring system. The nine signals and their weights are visible, not hidden behind a black-box algorithm.

        Built around the FOMO moment. It’s designed for the real behavior of crypto investors — seeing hype, feeling pressure, needing quick clarity.

        It explains itself. The AI breakdown shows the reasoning behind every grade.

        It’s expanding. With iOS, wallet tracking, and deeper market intelligence on the roadmap, CoinIQ Crypto Analysis is positioned to grow well beyond its current feature set.

        CoinIQ Crypto Analysis Is an Information Tool, Not Financial Advice

        CoinIQ Crypto Analysis doesn’t guarantee returns, tell you what you must buy, or promise to beat the market. It provides grades, signals, and plain-English explanations to support your own research — the decision is always yours.

        Final Thoughts: A Clearer Way to Check Crypto Before You Buy

        Crypto moves fast, and FOMO can make the decision for you if you let it. CoinIQ Crypto Analysis gives you a structured second opinion — a transparent 9-signal system distilled into one clear A–F grade, backed by a plain-English explanation. It’s available on Android now, with iOS planned, and a roadmap that includes wallet tracking and deeper market intelligence.

        Before you buy the next trending coin, check its grade on CoinIQ Crypto Analysis.



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        JFK’s Manitou Yacht

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        JFK’s Manitou Yacht


        When John F. Kennedy needed a measure of distance from Washington, he often found it at the helm of Manitou, a slender wooden yawl built for speed and later adapted to carry the presidency onto open water.

        The 62-foot yacht offered Kennedy something the larger presidential powerboats could not: the physical pleasure of sailing. Under canvas, with the New England coast or Chesapeake Bay in view, he could trim a course, feel the weather and briefly escape the ceremonial weight of office.

        KN-C23202 11 August 1962President Kennedy sails aboard the U. S. Coast Guard yacht “Manitou” off the coast of Maine. Credit “Robert Knudsen, White House / John Fitzgerald Kennedy Library, Boston”.

        Designed by Olin Stephens of Sparkman & Stephens, Manitou was commissioned by Chicago businessman and racing driver James R. Lowe. M.M. Davis & Son built the yacht in Solomons, Maryland, launching her in 1937. Her name came from the Manitou Passage in Lake Michigan. According to the John F. Kennedy Presidential Library, “Manitou” means “Spirit of the Water.”

        Born to Race

        Lowe wanted a yacht capable of winning the demanding Chicago to Mackinac race, a passage of more than 300 miles through Lake Michigan’s unpredictable winds, sudden squalls and long stretches of open water.

        Manitou delivered. In 1938, she won the Chicago-Mackinac Cup, finishing more than six hours ahead of the fleet and establishing herself as one of the great American racing yachts of her era. She later won the Port Huron to Mackinac race in 1940 and 1941.

        Her profile carried the hallmarks of early Sparkman & Stephens design: a long, graceful overhang, narrow hull, balanced proportions and a sail plan suited to both light air and heavy weather. At 62 feet overall, with a waterline length of 44 feet, she combined offshore capability with accommodations refined enough for extended cruising.

        In 1955, Manitou was donated to the United States Coast Guard Academy in New London, Connecticut. Cadets used her as a training vessel, learning seamanship aboard a yacht whose performance demanded close attention and practiced hands.

        Kennedy Takes the Helm

        Kennedy’s relationship with the sea began long before the White House. He grew up sailing around Cape Cod and raced the family’s 25-foot sloop, Victura, throughout his youth. During World War II, he commanded PT-109 in the Pacific. Even during presidential meetings, he was known to sketch sailboats on scraps of paper.

        In 1962, Kennedy selected Manitou for presidential use. The Coast Guard yacht was fitted with communications and navigational equipment that allowed him to remain connected to Washington while underway. A radio direction finder, fathometer and radiotelephone transformed the elegant prewar racer into an unofficial command post.

        The nickname “Floating White House” soon followed.

        Kennedy sailed Manitou in New England and the Chesapeake, frequently joined by family members, friends and members of his staff. Photographs show him at the wheel in sunglasses and casual clothes, visibly at ease. The scenes reveal a president enjoying one of the few places where protocol could recede behind wind, water and the immediate demands of sailing.

        Below deck, Manitou retained the warmth of a traditional American yacht. Polished wood surrounded a main cabin, galley, fireplace and private aft stateroom. The most discussed feature remains a sunken bathtub concealed behind teak doors.

        Marilyn Monroe is said to have used it, although no reliable evidence confirms that she ever sailed aboard. Owners and historians have generally treated the story as irresistible maritime folklore, one more layer in the mythology surrounding Kennedy’s presidency.

        A Presidential Yacht Restored

        The government sold Manitou in 1968 to the Harry Lundeberg School of Seamanship in Piney Point, Maryland, for $35,000. She continued as a training vessel, although decades of institutional service eventually left the yacht in need of substantial work.

        In 1999, Laura Kilbourne, a descendant of original owner James Lowe, acquired Manitou and began a comprehensive restoration. Later owners continued the effort, preserving her wooden structure, period interior and distinctive yawl rig.

        Today, Manitou sails among the great surviving yachts of the 20th century, competing on the Mediterranean classic regatta circuit with the same poised silhouette that once crossed Lake Michigan and carried a president along the American coast.

        Her appeal reaches beyond the Kennedy association. Manitou represents an era when speed, proportion and craftsmanship could coexist without excess. Her history contains racing triumphs, Coast Guard cadets, presidential communications and one famously unverified bathtub story.

        Through it all, she remains what Kennedy valued most: a beautiful sailing yacht, responsive to the helm and ready to leave the shore behind.

        Avatar photo

        Christopher Parr

        Christopher Parr, is the Editor and Chief Content Creator for Pursuitist, and a contributing writer to USA Today, Business Insider — and the on-air host of Travel Tuesday on Live at 4 CBS. He is an award-winning luxury marketing veteran, writer, a frequent speaker at luxury and interactive marketing conferences and a pioneer in web publishing. Named a “Top 10 Luxury Travel Blogger” by USA Today, Parr has also been selected as the official winner in Luxury Lifestyle Awards’ list of the “Top 50 Best Luxury Influencers and Bloggers in the World.”



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        Chanel Acquires Charvet, The World’s Oldest Shirtmaker

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        Chanel Acquires Charvet, The World’s Oldest Shirtmaker


        In a move that underscores its commitment to preserving French craftsmanship while quietly broadening its influence, Chanel has acquired the legendary Parisian shirtmaker Charvet, one of the oldest and most revered names in bespoke menswear.

        The acquisition marks one of the rare occasions that Chanel has purchased an established fashion house, signaling a strategic investment in heritage rather than scale. Financial terms of the deal were not disclosed.

        Founded in 1838 and synonymous with impeccable tailoring, Charvet has long occupied its storied address on Paris’s Place Vendôme, where generations of statesmen, artists, and style icons have commissioned bespoke shirts, ties, and suits. Its distinguished clientele has included Winston Churchill, John F. Kennedy, and even Chanel’s founder, Gabrielle “Coco” Chanel.

        For Chanel, the purchase is as much about safeguarding an extraordinary legacy of craftsmanship as it is about investing in the future. The house said the acquisition is intended to preserve Charvet’s exceptional savoir-faire while allowing the historic brand to maintain its creative independence.

        The relationship between the two maisons has already begun to take shape under Chanel’s artistic director, Matthieu Blazy. For his acclaimed debut collection last October, Blazy collaborated with Charvet’s ateliers to create a refined white women’s shirt that quickly became one of the collection’s standout pieces, retailing for more than $4,000. The partnership demonstrated how traditional tailoring techniques could be reimagined within Chanel’s modern vision.

        Speaking to The New York Times, Chanel’s President of Fashion, Bruno Pavlovsky, framed the acquisition as a natural extension of the brand’s identity.

        “Now we have a name, Chanel, for women, and a name for men, Charvet,” Pavlovsky said. “Even if Chanel is about women, we see more men coming in.”

        Those remarks have fueled speculation that Chanel is laying the foundation for a more ambitious menswear strategy. While the maison has never maintained a permanent men’s ready-to-wear division, it has steadily strengthened its presence among male luxury consumers. Recent campaigns have featured actors and musicians including Jacob Elordi, A$AP Rocky, and G-Dragon, reflecting a broader evolution in the brand’s cultural positioning.

        Founded by Joseph-Christophe Charvet, the son of Napoleon’s personal dresser, the house is widely recognized as the world’s oldest shirtmaker. Since the 1960s, it has remained under the stewardship of the Colban family, earning an international reputation for meticulous craftsmanship, extraordinary fabrics, and a level of bespoke tailoring that has become increasingly rare.

        The acquisition also represents an early milestone for Blazy, only the fourth creative director in Chanel’s storied history. Tasked with leading the house into its next era following the four-decade creative legacy of Karl Lagerfeld, Blazy has signaled an appreciation for exceptional artisanship and enduring design rather than fleeting trends.

        As luxury fashion increasingly turns toward preserving specialized craftsmanship, Chanel’s acquisition of Charvet feels less like a corporate expansion and more like a cultural investment. In an industry often defined by novelty, the world’s most influential fashion houses are increasingly recognizing that the future of luxury may depend on protecting its past.

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        Avatar photo

        Christopher Parr

        Christopher Parr, is the Editor and Chief Content Creator for Pursuitist, and a contributing writer to USA Today, Business Insider — and the on-air host of Travel Tuesday on Live at 4 CBS. He is an award-winning luxury marketing veteran, writer, a frequent speaker at luxury and interactive marketing conferences and a pioneer in web publishing. Named a “Top 10 Luxury Travel Blogger” by USA Today, Parr has also been selected as the official winner in Luxury Lifestyle Awards’ list of the “Top 50 Best Luxury Influencers and Bloggers in the World.”



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        One Of Star Trek Generations’ Biggest Plot Holes Only Exists Because Of A Cut Scene – SlashFilm

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          One Of Star Trek Generations’ Biggest Plot Holes Only Exists Because Of A Cut Scene – SlashFilm









          Paramount

          David Carson’s 1994 film “Star Trek: Generations,” the most useless movie in the series, features a colossal negative space wedgie called the Nexus, a free-floating energy ribbon with no known origin that tore through the galaxy at regular intervals. The Nexus destroys ships, but also manages to bodily suck up victims and deposit them in a Heaven-like pocket dimension where time has no meaning. 

          At the beginning of “Generations,” in the year 2293, Admiral Kirk (William Shatner) is sucked up by the Nexus. Later in the movie, in the year 2371, Captain Picard (Patrick Stewart) is as well. At the time, Picard was busy fighting a Nexus-obsessed scientist named Dr. Soran (Malcolm McDowell) who was willing to destroy a star system in order to “steer” the Nexus into him. Picard failed, and the star system was destroyed. 

          Because there’s no time in the Nexus, Picard and Kirk are able to meet face-to-face inside, essentially arriving at the same moment, despite entering 78 years apart. Picard convinces Kirk to leave the Nexus because he needs help stopping Dr. Soran’s plot. The pair exits the Nexus right next to Soran, giving themselves only about 10 minutes to stop him.

          Keep in mind, time has no meaning in the Nexus, so Kirk and Picard could have exited at any time in history. Given that power, why did Picard choose to exit only ten minutes before Soran destroyed the star system, and not a full hour? Or 12 hours? Or a year, for that matter? It’s a plot hole that has bothered Trekkies for years. 

          As it so happens, a 1996 interview with “Generations” co-screenwriter Brannon Braga, printed in Sci-Fi Universe Magazine, explains why this plot hole exists. There was a deleted scene in “Generations” that explained everything. 

          It’s the Prime Directive.

          Brannon Braga wrote a scene in Star Trek: Generations explaining the Nexus plot hole




          The Nexus in Star Trek: Generations

          Paramount

          The Nexus, to elaborate a little more, must have some kind of psychic quality, because when Picard arrives inside of it, he envisions a placid alternate life for himself where he has a big family and a loving wife. Picard realizes it can’t be real, and Guinan (Whoopi Goldberg) appears to him and says that, no, it isn’t. She was also swept up by the Nexus years ago, and she’s able to leave a kind of psychic message for Picard. She’s the one who tells him he can exit the Nexus at any place, and any time. 

          At that point, Picard’s imagination should have been inflamed. To heck with Soran and his petty plot, why not go back in time and prevent any number of war atrocities? I know that Picard abides by a temporal Prime Directive and wouldn’t want to muck around with history, but surely he could think of something better to do than go back in time ten minutes to have a fistfight with Dr. Soran, right? 

          When asked, point blank, about Picard’s unimaginative decision, Brannon Braga had a ready-to-go answer. Braga confessed only that his movie “was full of f***ing plot holes.” As for the Picard-Exit conundrum, Braga said: 

          “That’s one of the plot holes, unfortunately. There was a speech in the movie that explained all that […] but we cut it. You know, it’s the Prime Directive. You can’t go screwing up the timeline. He can’t go back to when Soran was born; the further back he goes, the more he risks. We cut the speech because it was a little too expositional and a little boring.”  

          Okay, I guess that makes sense. But I like exposition. 

          Picard coudn’t go back in time too far, or else he’d mess up history




          Captain Picard in Star Trek: Generations

          Paramount

          Indeed, the exposition would have helped a great deal to make “Star Trek: Generations” more cogent. The movie has themes of time, and of time running out. “Time is the fire in which we burn,” Dr. Soran even says at one point. A conversation about the immutability of history would have been thematically appropriate as well as plot-necessary. 

          “Generations,” however, is a mess beyond just the Nexus-Exit plot hole. Nerds have picked apart this 1994 movie with a scalpel, the most notorious dissection being the extended, 30-minute video essay from the folks at Red Letter Media, from the trivial to the egregious. Like, why did Dr. Soran kidnap Geordi La Forge (LeVar Burton)? Or if retaining the timeline was so important, why were Kirk’s remains left on the surface of Veridian III? Why was the Enterprise-B the only ship in range of a crisis point when it was right next to Earth, the seat of the Federation? Stuff like that. 

          But there are other issues besides. “Generations” stood as a “pass the torch” movie from one “Star Trek” generation to the next, and was clearly made for casual filmgoers who might be unfamiliar with “Star Trek: The Next Generation” (1987 – 1994). This was a mandate from the higher-ups. The problem was, “Next Generation” had already been on the air for seven years by the time “Generations” had come out, and the original crew exited the stage in 1991’s “Star Trek VI: The Undiscovered Country,” so the torch had already been passed. The idea that we needed another movie to get Kirk and Picard together was a churlish idea from the start. 

          It’s not one of the better “Star Trek” movies. 




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          OpenAI Offers US Government a $42 Billion Slice of Itself: Report – Decrypt

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          OpenAI Offers US Government a Billion Slice of Itself: Report – Decrypt



          In brief

          OpenAI has proposed handing the U.S. government a 5% stake worth roughly $42.6 billion, based on its $852 billion March 2026 valuation, according to the Financial Times.
          Sam Altman pitched the idea directly to President Trump, Commerce Secretary Howard Lutnick, and Treasury Secretary Scott Bessent, and wants Anthropic, Google, and Meta to contribute similar stakes.
          The talks follow a month of escalating government intervention in frontier AI releases—including a delayed GPT-5.6 rollout and a temporary export ban on Anthropic’s top models.

          OpenAI has been in talks with the Donald Trump administration about handing the U.S. government a 5% stake in the company, the Financial Times reported, citing two people familiar with the discussions. At OpenAI’s $852 billion valuation from its March funding round, that slice is worth roughly $42.6 billion.

          OpenAI CEO Sam Altman’s pitch frames this as democratizing AI’s economic upside—the best way to ensure Americans share in the industry’s growth. He raised the idea directly with President Trump, Commerce Secretary Howard Lutnick, and Treasury Secretary Scott Bessent, according to the FT.

          The proposed structure would model a sovereign wealth vehicle like the Alaska Permanent Fund, a state-owned fund established in 1976 to invest surplus oil revenues and pay annual dividends to state residents.

          The proposal doesn’t stop at OpenAI. Altman reportedly wants other major U.S. AI developers—Anthropic, Google, Meta—to cede a similar 5% to the government through the same vehicle. None of those companies have signaled any interest in joining as of yet.

          ďťż

          OpenAI launched GPT-5.6 in limited form just days earlier, after the White House’s Office of the National Cyber Director asked for a restricted rollout while officials develop a testing framework for frontier AI. That was the second government intervention of the month—Anthropic spent most of June in lockdown on Mythos 5 and Fable 5 while under emergency export controls, after the Defense Department previously labeled the company a “supply chain risk,” before access was restored this week.

          OpenAI has been more supportive than Anthropic when it comes to its deals with the U.S. government, signing partnerships where Anthropic refused.

          Equity has become the administration’s preferred tool for managing tech relationships. The government took a 9.9% stake in Intel last August, paying $8.9 billion by converting CHIPS Act grants into shares at $20.47 each—a position now worth well over $50 billion. AMD and Nvidia agreed to hand over 15% of their China chip revenues in exchange for export licenses. Trump said in May he should have negotiated a larger stake in Intel.

          The FT characterized the discussions as conceptual and early-stage, adding that any arrangement could require Congressional approval.

          The deal, if it materializes, would mark the first time Washington holds equity in a private AI company. For OpenAI—navigating a confidential IPO filing and a probe from a coalition of 42 state attorneys general—the deal may be worth it.

          Senator Bernie Sanders, who met with Altman in recent weeks, is pushing a bill that would require the largest AI companies to surrender 50% of their equity to a public fund, with proceeds flowing to Americans as direct payments. Both OpenAI and Anthropic have filed confidentially for IPOs, meaning that any potential government stake agreed now would precede the ownership dilution that comes with a public float.

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