One of the most well-known principles of theatrical storytelling is widely referred to as “Chekhov’s gun.” The principle suggests that if some element is introduced to a story, even in a casual, offhand way, by the end, it had better prove significant. Or, as it’s often summed up, if a gun shows up at some point in your story, by the end, it had better go off. So, when a gun shows up early in my playthrough of narrative game Apartment Story, you can imagine where my mind immediately went. – Willa Rowe Read More







![Bong Joon-Ho Knows Mickey 17 Reflects Our World, Toni Collette And Naomi Ackie Know How To Survive It [Exclusive Interview] – SlashFilm](https://i3.wp.com/www.slashfilm.com/img/gallery/bong-joon-ho-knows-mickey-17-reflects-our-world-toni-collette-and-naomi-ackie-know-how-to-survive-it-exclusive-interview/l-intro-1740610265.jpg?w=100&resize=100,75&ssl=1)
